BEGIN:VCALENDAR VERSION:2.0 PRODID:-//360exp//Calendar//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:360exp REFRESH-INTERVAL;VALUE=DURATION:PT1H X-PUBLISHED-TTL:PT1H X-WR-TIMEZONE:America/New_York BEGIN:VEVENT UID:04f77564-0b49-4711-a502-2c569ce6cee5@360exp.net SEQUENCE:29841773 DTSTAMP:20260928T185140Z LAST-MODIFIED:20260927T105308Z DTSTART:20261118T010000Z DTEND:20261118T040000Z SUMMARY:Humbird LOCATION:The Bishop DESCRIPTION:18+Stars wheel overhead\, bursting and dying and forming. Celes tial bodies\, anchored by ancient orbits\, careen through space. Here on E arth\, bodies need tending\, hearts need mending. Sometimes it seems that the long night will never end. But stars and planets remind us: change is the only constant.Humbird’s fourth full-length album\, Morning When It C omes\, is a promise made in the midst of a long night. With glittering hoo ks\, big-hearted grooves\, and clear-voiced melodies that cut straight to the truth\, Humbird offers twelve new secular hymns that draw inspiration from the cosmos above to comfort us in our humanity down below.For lead so ngwriter Siri Undlin (she/her)\, this album first took shape as a set of p oetic compasses for navigating mental and physical illness. “I found cer tain melodies and rhymes to be like North Stars\,” she notes\, the songw riting process functioning as a balm and a map for reckoning with internal worlds of pain and discomfort. This process isn’t new for Undlin: wheth er singing as a kid in school stairwells\, around the kitchen table with f amily\, conducting extensive folklore and musical research worldwide as a Watson Fellow\, or touring through the US and EU/UK on the heels of her 20 24 album Right On\, music has always been her tool for navigating the worl d. “I wrote these songs when I was really sick\, and it could've very ea sily been a really depressing album\,” she says. “But in the studio\, it was important to all of us to find the ways these songs could harness m ischief and exuberance – not to downplay the density of the emotions\, b ut to represent the complexity and contradictions that occur on any given day of our lives.” Recording Morning When It Comes with trusted collabor ators in Eau Claire\, Wisconsin transformed these twelve self-soothing son gs into a bigger\, more universal conversation about stability\, surrender \, and the power of being in community.Now\, Undlin and Humbird deliver an even deeper distillation of the lush\, electrified\, hook-driven Midwest Americana that audiences have come to expect from their performances. As U ndlin steps intentionally into the role of co-producer for the first time \, she constructs this sonic world with longtime producer Shane Leonard an d regular contributor Pat Keen (bass\, synth\, piano\, wurly\, pump organ) \, along with pedal steeler Rich Hinman (Sara Bareilles\, Rosanne Cash\, C yndi Lauper) and Eau Claire collaborators Luke Callen\, Sarah Elstran (The Nunnery)\, Sarah Krueger (Lanue)\, and Sarah Magill (Quiet Takes). The re sult is a sound that knows itself\; trusts itself to play and feel joy\, e ven as it braves pain and hardship. That confidence gives us permission to trust our own footing\, to revel in our own joy as we do\, in fact\, surv ive.“Daughter of Empire\,” the album’s opening track\, begins the tw elve-song cycle mired in the mundane and more devastating aspects of tryin g to outlast late-stage capitalism: bread goes stale and late fees stack u p on the kitchen table while the news screams about government coups and w ar. What matters most gets delayed in favor of doomscrolling and dissociat ing. But when the chorus opens into 70s-style acoustic guitar shimmering o ver warm percussive grooves\, frustration and self-disappointment transfor m into a catchy\, sardonic folk-pop hook that lends levity and grace: “D aughter of empire / still kicking that can / But someday soon / I will be the better man.”Morning When It Comes often explores the transformations possible when the personal is placed beside the universal. Notable tracks in this vein include “Hey Big Dipper\,” a lullaby sung directly to th e constellation Ursa Major in a moment of feeling stuck\; “Different Spe eds\,” a contemplative swirl that reveals how the small moments of our d ays can become our whole universe when we stop to pay attention\; and “B lood Moon\,” a soothing anthem that utilizes gentle dissonance and satis fying resolution to reflect the ups and downs of chronic illness as the mo on keeps watch. Cycles of love\, of a year\, of bodies human and celestial \, all create an orbit for Morning When It Comes to follow faithfully. Whe n we arrive at the final\, titular track with its simple beauty and unhurr ied arrangement\, we have been led through transformations of our own\, an d are now ready to sing this morning hymn with Undlin and believe its ever y word: “On this long dark night / My wish for you / Is a good night’s sleep / And a clear-eyed view / Of the morning when it comes.”The tides of change are hard to ride out. The long nights of winter are difficult t o endure. For loyal fans and new listeners alike\, Morning When It Comes i s a companion for everyday earthly life within an infinite and expanding u niverse that reminds us transformation is divine\; that no darkness lasts forever — and that we only need sing a note\, reach out a hand\, or look to the stars above to find the light we need to hold on till morning.\n\n Boletos: https://www.simpletix.com/e/humbird-tickets-284688 URL;VALUE=URI:https://360exp.net/events/04f77564-0b49-4711-a502-2c569ce6cee 5 STATUS:CONFIRMED END:VEVENT END:VCALENDAR