BEGIN:VCALENDAR VERSION:2.0 PRODID:-//360exp//Events//ES METHOD:PUBLISH BEGIN:VTIMEZONE TZID:Asia/Shanghai TZURL:http://tzurl.org/zoneinfo-outlook/Asia/Shanghai X-LIC-LOCATION:Asia/Shanghai BEGIN:STANDARD TZOFFSETFROM:+0800 TZOFFSETTO:+0800 TZNAME:CST DTSTART:19700101T000000 END:STANDARD END:VTIMEZONE TIMEZONE-ID:Asia/Shanghai X-WR-TIMEZONE:Asia/Shanghai BEGIN:VEVENT UID:0b3fecb5-beea-4a93-aad0-0874047ce2c5@360exp.net SEQUENCE:0 DTSTAMP:20260910T193106 DTSTART;TZID=Asia/Shanghai:20261024T120000 DTEND;TZID=Asia/Shanghai:20261024T134500 SUMMARY:法国器乐电子视听现场 NIKITCH Audio Visual Live Show | DD L呈现 广州站 LOCATION:光芒enlightening DESCRIPTION:10/24 20:00 法国器乐电子视听现场 NIKITCH Audio Visua l Live Show | DDL呈现  \; &ldquo\;Nikitch提供了超好氛围。&rd quo\; "Nikitch's Good Vibes" \; - FIP Radio &ldquo\;Nikitch\, 一位 冉冉升起的制作人。&rdquo\; "Nikitch\, the up-and-coming producer. " \; - TELERAMA  \; &ldquo\;现场演出在于即兴创作，而 非追求完美。它更多的是强调即兴发挥。&rdquo\; &ldquo\;Per forming live is about creating something unique in the moment. It&rsquo\;s about spontaneity\, not perfection.&rdquo\; \; &mdash\; Jeff Mills &n bsp\; 2014年，Nikitch发行了他的首张EP《Juke Box》，迅速在 法国乃至国际电子音乐界崭露头角。他将 House、Trap 和地 下音乐元素融合，创造出一种突破流派界限的独特声音 。 After releasing his debut EP Juke Box in 2014\, Nikitch quickly made h is mark on the French and international electronic music scene\, blending House\, Trap and underground influences into a distinctive sound that defi es genre conventions. 2016年，他开始与制作人兼音乐家 Kuna Maz e 合作，组建了三人组合，并随团参加了包括蒙特勒爵士 音乐节、杜尔音乐节和伦敦爵士音乐节在内的欧洲各大 音乐节。 In 2016\, he began collaborating with producer and musician K una Maze\, leading to a trio project that took him to major European festi vals\, including the Montreux Jazz Festival\, Dour Festival and London Jaz z Festival. 2026年，Nikitch汲取过往合作经验，回归个人现场 演出形式。为了呈现他的新专辑《NOVA》&mdash\;&mdash\;这张 专辑探索了电子音乐的多元美学以及器乐即兴演奏的可 能性&mdash\;&mdash\;他开发了一套全新的乐器配置，并与视 觉艺术家Flaca Boonse合作创作了互动视觉效果。 In 2026\, dra wing on the experience gained through his collaborations\, Nikitch returns to a solo live format. To present his new album\, which explores the many aesthetics of electronic music and the possibilities of instrumental impr ovisation\, he has developed an entirely new set of instruments\, alongsid e interactive visuals created in collaboration with artist Flaca Boonse. & nbsp\; 关于视听现场演出 About the Audio Visual Live Performance Ni kitch 的音乐最初是在完全数字化的环境下创作的。他的 早期现场演出依赖于电脑和 MIDI 控制器，逐渐形成了一 种鲜明的合成器和数字美学。随着时间的推移，他的创 作方式逐渐扩展到传统乐器和即兴演奏，器乐演奏在他 的现场演出中扮演着越来越重要的角色。 Nikitch&rsquo\;s mu sic was initially built within an entirely digital environment. His first live performances relied on a computer-and-MIDI-controller setup\, develop ing a distinctly synthetic and digital aesthetic. Over time\, his approach gradually expanded to include analogue instruments and improvisation\, gi ving instrumental performance an increasingly central role in his live sho ws. 新专辑《NOVA》的创作是这一演变的转折点。如今他的 创作过程更加注重有机性，即兴发挥贯穿于整个创作过 程和现场演出。这种转变促使他渴望创造一种视听现场 演出形式，让声音与影像的对话成为体验中不可或缺的 一部分。 The creation of the album NOVA marks a turning point in this evolution. The writing process is now rooted in a more organic approach to composition\, where improvisation fuels both the creative process and the live performance. This transformation led to the desire to create an audi ovisual live format in which the dialogue between sound and image becomes an integral part of the experience. 为了配合这种音乐上的演变 ，Nikitch寻求一种能够反映其音乐鲜活、充满活力的特质 的鲜明视觉形象，最终通过与 Flaca Boonse 的合作得以实现 。作为一位跨领域艺术家，她致力于探索声音、图像和 物质的交融。在实验和直觉的驱动下，她探索感官世界 、想象力和动态形态之间的联系。 To accompany this musical ev olution\, Nikitch sought a strong visual identity capable of reflecting th e living\, dynamic nature of his music. This exploration takes shape throu gh a collaboration with Flaca Boonse. A multidisciplinary artist\, she dev elops a practice at the \;intersection of sound\, image and matter. Dr iven by experimentation and intuition\, she explores the connections betwe en the sensory world\, the imagination and moving forms. 她的作品始 于物质、情感和手工制作，之后再通过数字技术进行转 化。这种方法与Nikitch的创作实践直接呼应，在其创作的 音乐中，乐器、人体姿态和电子工具之间始终保持着对 话。 Her work begins with matter\, emotion and a handcrafted process\, b efore being transformed through digital technologies. This approach direct ly echoes Nikitch&rsquo\;s own practice\, shaping music in which instrumen ts\, human gesture and electronic tools are in constant dialogue. 她尤 其关注光线、色彩和质感，并将它们视为鲜活的材料， 以此创造独特的视觉世界。通过不同的创作形式，她力 求营造出诗意的空间，让抽象让位于感官和情感，最终 呈现出具有电影般共鸣的抽象形态。 She is particularly inter ested in \;light\, color and texture\, which she shapes as living mate rials to create singular visual worlds. Through different forms of creatio n\, she seeks to bring forth poetic spaces where abstraction gives way to sensation and emotion\, giving rise to abstract forms with cinematic reson ances. 但她并非旨在&ldquo\;视觉化&rdquo\;音乐。相反，现场 将成为一个沉浸式的空间，影像唤起观众内心的图景， 留给观众自由解读的空间。 两者共同探索着一种共通的 深度感。声音方面，是通过丰富、沉浸且温暖的编曲； 影像方面，则是通过层叠的纹理、颗粒感的运用、在不 同表面上的投影以及多种视觉元素&mdash\;&mdash\;水、乐器 、机器和材料&mdash\;&mdash\;创造出一个有机、细腻且不断 演进的视听世界。 The visuals do not seek to illustrate the music. Instead\, the live performance becomes an immersive space where images evo ke inner landscapes\, open to each viewer&rsquo\;s own interpretation. Tog ether\, they explore a shared sense of depth. In sound\, through \;ric h\, immersive and warm compositions\; in image\, through \;layered tex tures\, the use of grain\, projections onto different surfaces\, and multi ple visual sources &mdash\; water\, instruments\, machines and materials & mdash\; creating an organic\, sensitive audiovisual universe in constant e volution.  \; 演出乐器 About the Live Instruments 长笛 是Nikitc h音乐历程里的关键乐器，更是新专辑最核心的声音特征 。他深厚的爵士乐和古典音乐功底为他奠定了扎实的旋 律和即兴演奏基础，使他能够在现场演出中展现出独特 的音色和情感。 他对当代音乐的探索，从电子乐到都市 音乐，都体现在他运用各种效果器处理长笛音色上，例 如延迟、和声、合唱等等。 The \; flute \, a key instrument throughout his musical journey\, is at the heart of the sonic identity of his new album. His background in jazz and classical music has given him a strong foundation in melody and improvisation\, allowing him to bring a un ique palette of colors and emotions to the live performance. His explorati on of contemporary music\, from electronic to urban sounds\, is reflected in the processing of the flute through various effects pedals\, including delay\, harmonizer\, chorus and more. 键盘 提供了丰富的和声， 这也是Nikitch音乐的核心：浓郁而精妙的和声深受 Robert Gl asper\, Joe Armon-Jones and Dorian Concept 等艺术家的影响。 The&nb sp\; keyboards \, provide the rich harmonic palette that is also central t o Nikitch&rsquo\;s musical language: \;dense\, sophisticated harmonies  \;shaped by the influence of artists such as Robert Glasper\, Joe Arm on-Jones and Dorian Concept. 电子乐器&mdash\;&mdash\; 采样器、鼓 机和合成器 &mdash\;&mdash\;也是Nikitch现场演出的重要组成 部分，他从各类电子音乐流派中汲取广泛的音色。从英 国Bass音乐到芝加哥House，再到南非Amapiano等当代风格，以 及Khalil Cherradi\, Jarreau Vandal等艺术家作品中的格纳瓦(Gnawa )和传统音乐元素，使其音乐风格包罗万象。 Electronic inst ruments &mdash\; \; samplers\, drum machines and synthesizers &mdash\; are also central to Nikitch&rsquo\;s live performance\, reflecting the wi de sonic palette he draws from different currents of electronic music. Fro m UK Bass Music to Chicago House\, through contemporary styles such as Sou th African Amapiano\, as well as Gnawa and traditional sounds found in the work of artists such as Khalil Cherradi and Jarreau Vandal.  \; 艺 人介绍 ARTISTS Nicolas Morant : flute\, keyboards\, synths\, drum machi nes&hellip\; Flaca Boonse : Visuals Nicolas Morant\, 艺名Nikitch\, 是 一位拥有丰富音乐经历的艺术家，游走于各种音乐领域 。他最初是一位古典音乐家，后来转型成为制作人和DJ.&n bsp\; 早期，他便形成了鲜明的音乐风格，巧妙地将爵士 乐与电子音乐融合。他的才华赢得了Laurent Garnier 和 Gilles Peterson 等音乐界知名人士的赏识和支持，并与制作人Kuna Maze、说唱歌手 Grems 和 Romé\;o Elvis\, 以及Andreya Triana 等知名艺术家保持合作，以此也不断完善其独特的音乐 语言。 An artist with a rich and unique journey\, Nicolas Morant\, aka Nikitch\, navigates through various musical worlds. Initially a classical musician\, he later established himself as a producer and DJ. Early on\, h e developed a distinctive sound signature\, skillfully blending jazz influ ences with electronic music. His early talent earned him the support of pr ominent figures such as Laurent Garnier and Gilles Peterson. Throughout hi s numerous projects\, whether solo or in collaboration with creative partn ers like producer Kuna Maze\, rappers Grems and Romé\;o Elvis\, or r enowned artists such as Andreya Triana\, Nikitch continuously refines his unique musical language. Flaca Boonse是一位视觉艺术家、艺术总 监、作曲家和声音艺术家。她的作品融合了电子音乐、 数字艺术和当代表演艺术。 她创造的世界里，图像、声 音和材料相互交融、彼此转化。 通过视频以及对光线、 色彩和数字纹理的实验，她创作出与音乐体验相辅相成 、延伸并丰富音乐体验的视觉作品。 她与来自音乐、舞 蹈和当代表演领域的艺术家合作，其中包括音乐家Alexis M outzouris和编舞家Agnè\;s Canova。她目前正在为Nikitch的 视听现场项目进行视觉创作。 她擅长探索材料的转化、 有机性与数字之间的对话，以及图像如何成为声音的延 伸而非仅仅是插图。她将视觉创作视为一个独立的构成 空间，光线和纹理在其中扮演着不可或缺的角色。 Flaca B oonse is a visual artist\, art director\, composer\, and sound artist. Her work lies at the intersection of electronic music\, digital arts\, and co ntemporary performance. She creates worlds where image\, sound\, and mater ial interact and transform one another. Through video and experiments with light\, color\, and digital textures\, she develops visual compositions t hat accompany\, extend\, and enrich the musical experience. She collaborat es with artists from the fields of music\, dance\, and contemporary perfor mance\, including musician Alexis Moutzouris and choreographer Agnè\ ;s Canova. She is currently developing the visual creation for Nikitch's A /V live project. Her practice explores the transformation of materials\, t he dialogue between the organic and the digital\, and the ways in which im ages can become an extension of sound rather than a mere illustration. She approaches visual creation as a compositional space in its own right\, wh ere light and textures play an integral role in shaping the work. *非不 可抗力因素，门票不支持退换，可自行转票；\n\nBoletos: h ttps://www.showstart.com/event/309297 URL;VALUE=URI:https://360exp.net/events/0b3fecb5-beea-4a93-aad0-0874047ce2 c5 END:VEVENT END:VCALENDAR