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UID:29bfff1b-77c0-497d-b828-8d6d295dadcf@360exp.net
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DTSTAMP:20260815T041842
DTSTART;TZID=Europe/London:20260820T183000
DTEND;TZID=Europe/London:20260820T183000
SUMMARY:LINDA SMITH & BAND + TRASH KIT + STUART MOXHAM
LOCATION:London The Lexington
DESCRIPTION:- LINDA SMITH is a pioneer of home recording who self released
  her music originally on cassette starting in 1987. In the early 90’s\, 
 indie labels Slumberland and Harriet Records expanded her reach with the r
 elease of two seven inch EPs. Recently\, Brooklyn label Captured Tracks ha
 s reissued two complete albums on vinyl and she has begun to tour in the U
 S and internationally for the first time. Upset The Rhythm released a rece
 nt split single between Smith and The Smashing Times last year too. Paste 
 magazine called Linda Smith “a hidden treasure of America's pop undergro
 und”\, while Jangle Pop Hub has written that “essentially this is the 
 best bedroom pop you are ever likely to hear\, directly from an age that d
 id not really know what to do with it”. For this rare UK show Linda will
  be joined by her live band.https://lindasmith2.bandcamp.com/ TRASH KIT ar
 e Ray Aggs (guitar\, vocals)\, Rachel Horwood (drums\, vocals) and Clémen
 tine March (bass). Three deeply creative individuals who play in a multitu
 de of other groups including Bas Jan and Sacred Paws\, not to mention thei
 r solo outings. Their songs once succinct\, patchwork post-punk numbers of
  an honest diary-like nature now tussle more with long-form songwriting\, 
 expeditious polyphony and cascades of sung-spoke vocals. Although Trash Ki
 t have their forebears in bands like Sleater Kinney\, The Ex and The Rainc
 oats\, their sound is still very much their own take on facing forwards an
 d relies as much on the naturalism of an internalised folk music as on the
 ir sincerity of vision. Since forming in 2009\, Trash Kit have released th
 ree albums for Upset The Rhythm and a selection of singles. Trash Kit's ap
 proach to life as with music is one of openness\, inclusion and potential 
 and most recent album ‘Horizon’ has this in dutiful abundance.https://
 upsettherhythm.bandcamp.com/album/horizonSTUART MOXHAM requires little int
 roduction. Few artists arrive as compellingly yet elusively as did Stuart 
 Moxham upon the startling debut of Young Marble Giant’s sole studio albu
 m\, Colossal Youth (Rough Trade\, 1980). Initial excitement was thrust upo
 n the young Alison Statton\, who sang songs written by Stuart with a coupl
 e of exceptions. The unaffected tone of her voice was in steep contrast to
  the typical goings-on in that still quite punk time\, but it was what she
  sang that fully sold it. Moxham’s lyrics were both intensely personal a
 nd woefully oblique. There seemed to be a sort of story in there. After th
 ose YMG days\, Moxham worked on a project called The G!st and released an 
 album and several singles also on Rough Trade. Since the mid-80s Moxham ha
 s focused mainly on solo acoustic work\, releasing 17 albums to date\, inc
 luding one by songwriting duo Moxham & Halliday. Stuart Moxham is a compos
 er of the upper echelon of innate talent who combines avant-garde ideas wi
 th deceptively forthright personal lyrics\, solid hooks\, ambience and vag
 uely off-centre instrumentation which defies the casual marketplace as con
 foundingly as it ever did to the underground. Last year Tiny Global Produc
 tions released Moxham’s most recent album ‘Winter Sun’\, featuring L
 inda Smith on backing vocals.https://stuartmoxham.bandcamp.com/\n\nBoletos
 : https://wegottickets.com/event/691772
URL;VALUE=URI:https://360exp.net/events/29bfff1b-77c0-497d-b828-8d6d295dad
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