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BEGIN:VEVENT
UID:3b1cb37b-7ba0-456d-87ae-83c7765be651@360exp.net
SEQUENCE:29843219
DTSTAMP:20260928T173818Z
LAST-MODIFIED:20260928T105926Z
DTSTART:20261211T040000Z
DTEND:20261211T063000Z
SUMMARY:Lightstruck: THE FILM STRIP - The 16mm Medium as Subject
LOCATION:2220 Arts + Archives
DESCRIPTION:Lightstruck presents THE FILM STRIP: The 16mm Medium as Subject
 .\n\nFeaturing 16mm short films by Tacita Dean\, Sandy Ding\, Nathaniel Do
 rsky\, Amy Halpern\, Kurt Kren\, Standish Lawder\, Rose Lowder\, Dana Play
 s\, Charlotte Pryce\, Guy Sherwin\, & Chris Welsby!\n\n~\n\nConceived in r
 esponse to the exhibition of Tacita Dean’s monumental 35mm installation 
 FILM on view September 18 to February 27 at the Marciano Art Foundation\, 
 Lightstruck presents The Film Strip\, a program of 16mm films in which the
  material of film itself is foregrounded through a multiplicity of approac
 hes. Since the earliest years of the avant-garde\, the film strip has been
  a focus of fascinated exploration in a wide range of techniques and aesth
 etic strategies\, revealing and contemplating the rich\, fundamental duali
 ty of the medium as both tangible object and ephemeral experience. In this
  program\, Guy Sherwin\, Dana Plays\, Sandy Ding\, and Charlotte Pryce use
  rephotography tools to extrapolate film’s instrinsic materiality into n
 ew planes of perspective and vision\, while Rose Lowder and Kurt Kren poet
 ically exploit the medium’s nature as a succession of discrete frames\, 
 passing the film through their cameras numerous times to create mosaics of
  intimate\, poetic rapture. In photographing the flow of a rural stream\, 
 Chris Welsby envisions the film reel as a river of images cascading throug
 h the projector\, while offerings from Tacita Dean and Standish Lawder con
 sider the literal film strip itself. The program concludes with Nathaniel 
 Dorsky’s rarely screened Pneuma\, in which the filmmaker hand-processed 
 archaic rolls of expired film without shooting them\, allowing the latent 
 poetry of the film stock’s exquisitely decayed chemistry to quietly and 
 profoundly mesmerize.\n\n**PROGRAM**\n\n(all films screening in 16mm)\n\n-
  Invocation (1982) by Amy Halpern\, color\, silent\, 2m\n- At the Academy 
 (1974) by Guy Sherwin\, bw\, sound\, 5m\n- Colorfilm (1972) by Standish La
 wder\, color\, sound\, 3m\n- Grain Graphics (1978) by Dana Plays\, color\,
  sound\, 6m\n- Prima Materia (2015) by Charlotte Pryce\, color\, silent\, 
 3.5m\n- Quiproquo (1992) by Rose Lowder\, color\, sound\, 13m\n- Noir et B
 lanc (2006) by Tacita Dean\, bw\, sound\, 4m\n- River in Castle (2016) by 
 Sandy Ding\, bw\, silent\, 4m\n- Stream Line (1976) by Chris Welsby\, colo
 r\, sound\, 8m\n- 31/75 Asyl (1975) by Kurt Kren\, color\, silent\, 9m\n- 
 Pneuma (1983) by Nathaniel Dorsky\, color\, 18fps silent\, 28m\n\nabove = 
 87m\n\nProgram and notes by Mark Toscano. Prints of Invocation\, Colorfilm
 \, Prima Materia\, and Noir et Blanc courtesy of the filmmakers or their e
 states. Prints of At the Academy\, Quiproquo\, River in Castle\, Stream Li
 ne\, and Pneuma courtesy of Canyon Cinema. Print of Grain Graphics courtes
 y of the Academy Film Archive. Print of 31/75 Asyl from the Lightstruck co
 llection.\n\nBoletos: https://dice.fm/event/oe9nrg-lightstruck-the-film-st
 rip-the-16mm-medium-as-subject-10th-dec-2220-arts-archives-los-angeles-tic
 kets
URL;VALUE=URI:https://360exp.net/events/3b1cb37b-7ba0-456d-87ae-83c7765be65
 1
STATUS:CONFIRMED
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