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BEGIN:VEVENT
UID:4822a88e-9361-482a-b30e-f1ebfb84ebbb@360exp.net
SEQUENCE:29841737
DTSTAMP:20260927T133507Z
LAST-MODIFIED:20260927T101731Z
DTSTART:20261122T170000Z
DTEND:20261122T220000Z
SUMMARY:Daily Admission: Intermittent Islands
LOCATION:Katonah Museum of Art
DESCRIPTION:Intermittent Islands: Four Caribbean Women Artists features wor
 k by Belkis Ayón (Cuban\, 1967-1999)\, Yanira Collado (Dominican\, born 1
 975 in Brooklyn\, NY\; lives and works in Miami\, FL)\, Marielle Plaisir (
 French and Guadeloupean\, born in Le Havre\, France\; lives and works in M
 iami\, FL)\, and Lisa C Soto (Jamaican and Puerto Rican\, born 1969 in Los
  Angeles\, CA\; lives and works in Ghana and Puerto Rico).Together\, their
  works intertwine the local and the global\, combining history and autobio
 graphy. Confronting the experiences of displacement and diaspora\, they ce
 lebrate the Caribbean's complex past. Their respective practices speak to 
 conditions of the contemporary world at large\, allegorizing timely themes
  relating to identity\, justice\, disintegration\, and wholeness that reso
 nate widely today.Ayón\, Collado\, Plaisir\, and Soto are heirs to multip
 le traditions: Afro-Caribbean culture and religion\, everyday life in Cuba
 \, Puerto Rico\, the Dominican Republic\, Jamaica\, Guadeloupe\, France\, 
 Ghana\, New York\, and Miami\; and the heroes and heroines of Black Americ
 a. They construct stories of identity in ink and glue\, textiles and const
 ruction materials\, colors and textures. Ayón and Plaisir’s work is fig
 urative\; Collado and Soto’s is abstract. Practices of layering and inte
 rtwining – through collage\, sewing\, and crochet – play significant r
 oles in their respective work. The Caribbean is an essential point of refe
 rence for all four artists—stimulating meditations upon place and displa
 cement\, memory and oblivion\, while enacting rituals of synthesis and rec
 overy.Exhibition SupportIntermittent Islands: Four Caribbean Women Artists
  is made possible with support fromthe Leir Foundation\, the Jacques and N
 atasha Gelman Foundation\, the Rosewater Family\, the IFPDA Foundation\, t
 he Schultz-Williams Family\, the Katherine C. and David E. Moore Exhibitio
 n Fund\, and the Director’s Circle of the Katonah Museum of Art: Paul 
 Bird and Amy Parsons\, Tara and Jeffrey Coniaris\, Mike Davies\, Isabelle 
 Harnoncourt Feigen\, Linda Nordberg\, Rebecca Samberg\, and Richard and Au
 drey Zinman.The Katonah Museum of Art is proud to be a grantee of the Leir
  Foundation\, the Fred and Donna Nives Foundation\, the James Rosenquist F
 oundation\, ArtsWestchester with funding made possible by Westchester Coun
 ty government with support of County Executive Kenneth W. Jenkins and the 
 Board of Legislators\, and by the New York State Council on the Arts with 
 the support of the Office of the Governor and the New York State Legislatu
 re.CreditsMarielle Plaisir (French and Guadeloupean\, born in Le Havre\, F
 rance\; lives and works in Miami\, FL). J. Baker\, The Malediction of Cham
 \, 2023. Acrylic\, ink\, marker\, and embroidery on canvas\, 48 x 92 x 2 i
 n. (121.9 x 233.6 x 5 cm). Courtesy of the artist and K Contemporary\, Den
 ver + Santa Fe © 2026 Marielle Plaisir Photo: MP Studios\n\nBoletos: http
 s://www.simpletix.com/e/daily-admission-intermittent-islands-tickets-29063
 7
URL;VALUE=URI:https://360exp.net/events/4822a88e-9361-482a-b30e-f1ebfb84ebb
 b
STATUS:CONFIRMED
END:VEVENT
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