BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//360exp//Calendar//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:360exp
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-PUBLISHED-TTL:PT1H
X-WR-TIMEZONE:Asia/Kolkata
BEGIN:VEVENT
UID:49e2ac11-2a60-48a7-a209-fa6e4bc9fb22@360exp.net
SEQUENCE:29820892
DTSTAMP:20260920T234223Z
LAST-MODIFIED:20260912T225213Z
DTSTART:20260927T103000Z
DTEND:20260927T133000Z
SUMMARY:Aprisio 'The Poem You Carry'
LOCATION:MyBoTree
DESCRIPTION:Almost all of us had a relationship with poetry and for most of
  us it ended somewhere around Class 8 or 9. Poetry was a thing we were han
 ded in a classroom and asked to decode - what is the poet trying to say\, 
 what does the imagery signify\, the subtle meanings underlying a verse etc
 . Then school finished and the poems stopped\, and what stayed behind was 
 a quiet belief that poetry belongs to people who understand it\, and that 
 we are not those people.But something else is true at the same time. The f
 orties and fifties are when people start running out of ordinary language.
  A parent begins to fail. A child leaves. Ambition cools into something le
 ss urgent and harder to name. A marriage settles into a shape nobody quite
  chose. These are not situations that respond well to advice or to a welln
 ess framework. They are situations that respond to somebody having already
  said the thing\, precisely\, a hundred years ago\, in eleven lines.That i
 s what poetry is actually for\, and it is the one form we have been quietl
 y told we are not qualified to enjoy. So\, the barrier here is not interes
 t. It is permission. And the whole design of this experience is an attempt
  to remove the requirement to be clever about poetry\, so that people can 
 simply be moved by it.A room of about 15-20 people spends an evening readi
 ng poems out loud to each other. That is the entire proposition because th
 e plainness is the appeal.Gulshan Walia\, a poet and a member of the Apris
 io community\, reads three poems she has chosen and opens each one up for 
 a conversation - not an analysis\, a conversation. Everybody in the room h
 as brought a poem of their own\, and everybody reads theirs. And in the la
 st stretch of the afternoon\, Gulshan talks for ten minutes about how a po
 em actually gets made\, and then the room tries to make one.Nobody is aske
 d to perform. Nobody is asked to explain. Nobody is asked to have an opini
 on about metre.ArrivalPeople come in and write two things on a card: their
  name\, and the title of the poem they have brought. The cards go on the t
 able. It gives everyone something to do with their hands and it quietly si
 gnals that everybody really did bring one.OpeningGulshan sets the frame\, 
 and the frame is the most important ten minutes of the day. The message is
  roughly: we do not have to understand a poem to be allowed to like it\, w
 e will not be asked to interpret anything\, and there is no wrong reaction
 . Said plainly\, this releases about eighty percent of the anxiety in the 
 room.The Three PoemsGulshan reads three poems by three different poets\, r
 oughly five minutes each\, and opens each one with a question.The Poem You
  CarryEveryone reads the poem they brought\, with one sentence on why they
  chose it. Roughly two and a half minutes each. Gulshan responds to each w
 ith a word or two - a response\, not an assessment - and moves on.How a po
 em gets madeGulshan’s ten minutes on composition.Writing\, in foursThe r
 oom splits into small groups and writes something together.Each group gets
  a constraint - a supplied first line\, an object on the table\, four word
 s that must appear. Constraint is what makes this playful rather than frig
 htening. Groups that want to read theirs out do\; groups that would rather
  not\, don’t.This is for the person who has a poem saved in their phone 
 notes and has never told anyone. The person who underlined something in a 
 book in 1998. The person who can still recite four lines their grandmother
  used to say and does not know where they are from. The person who reads a
  poem on Instagram\, feels something\, scrolls on\, and feels slightly foo
 lish about it.It is also for people who write - quietly - and have never r
 ead a line of it to anybody.\n\nBoletos: https://www.district.in/events/ap
 risio-the-poem-you-carry-sep27-2026-buy-tickets
URL;VALUE=URI:https://360exp.net/events/49e2ac11-2a60-48a7-a209-fa6e4bc9fb2
 2
STATUS:CONFIRMED
END:VEVENT
END:VCALENDAR
