BEGIN:VCALENDAR VERSION:2.0 PRODID:-//360exp//Events//ES METHOD:PUBLISH BEGIN:VTIMEZONE TZID:Asia/Shanghai TZURL:http://tzurl.org/zoneinfo-outlook/Asia/Shanghai X-LIC-LOCATION:Asia/Shanghai BEGIN:STANDARD TZOFFSETFROM:+0800 TZOFFSETTO:+0800 TZNAME:CST DTSTART:19700101T000000 END:STANDARD END:VTIMEZONE TIMEZONE-ID:Asia/Shanghai X-WR-TIMEZONE:Asia/Shanghai BEGIN:VEVENT UID:4f27695c-e137-481d-9beb-e93bb6296f34@360exp.net SEQUENCE:0 DTSTAMP:20260815T220858 DTSTART;TZID=Asia/Shanghai:20260927T113000 DTEND;TZID=Asia/Shanghai:20260927T133000 SUMMARY:法国即兴融合爵士组合 MONTAGNE SAUVAGE (野山) 巡演 | DDL呈现 杭州站 LOCATION:爵士黄楼 DESCRIPTION:9/27 19:30 法国即兴融合爵士组合 MONTAGNE SAUVAGE ( 野山) 中国巡演 | DDL呈现  \; 乐队阵容 LINE UP Pascal Charr ier : Folk guitar\, voice (FR) Canan Domurcakli : Vocals (TR) Sigrid Aftre t : Tenor Saxophone\, flute (NOR) Julien Pontvianne : Tenor saxophone\, cl arinet (FR) Ariel Tessier : Drums\, percussion (FR) MONTAGNE SAUVAGE (WILD MOUNTAIN) 从 小亚细亚传统歌曲 、即兴美学以及与山脉息 息相关的音景中汲取灵感。从最细微的颤动到震耳欲聋 的旋风，再到深邃的寂静，Montagne Sauvage 在用音符捕捉赋 予雄伟山景以生命力的原始力量的精髓。 An orignal work bor n from the expansion of the Shan trio into a quintet\, featuring two inter national guest artists. This project draws inspiration from \; t radit ional Anatolian songs\, improvised aesthetics\, and soundscapes connected to the mountains . From its most intimate tremors to its deafening whirlwi nds and its abyssal silence\, the quintet Montagne Sauvage captures the ve ry essence of the elemental forces that animate the majestic mountain land scape. Montagne Sauvage 五重奏延续着 Shan 三重奏 (Ariel Tessier 、Julien Pontvianne 和 Pascal Charrier) 的声音探索，源于与挪 威萨克斯管演奏家 Sigrid Aftret 和土耳其歌手 Canan Domurcakli 的邂逅。 Continuing the sonic exploration of the Shan trio (Ariel Tes sier\, Julien Pontvianne\, and Pascal Charrier)\, Montagne Sauvage was bor n from the encounter with Norwegian saxophonist Sigrid Aftret and Turkish singer Canan Domurcakli. 他们从人类学家娜塔莎·\;马丁及 其著作《野性灵魂》 (Les Â\;mes Sauvages) 中汲取灵感， 创作出一种自然原生又粗砺冷峻的即兴音乐，融合了自 由爵士、当代音乐和安纳托利亚传统歌曲。 Together\, they draw inspiration from the writings of anthropologist Nastassja Martin and her book Les Â\;mes sauvages (Wild Souls)\, to create a fully improvi sed music &ndash\; organic and mineral - at the crossroads of free jazz\, contemporary music\, and traditional Anatolian songs. 这是一种冥想 体验，引领听众进入恍惚状态，并最终爆发出强烈的音 响；游走于异质性、眩晕感和与鲜活世界的共鸣之间。 仿佛置身于一个悬置的瞬间，如同在地中海的暮色中漫 步。 It is a meditative experience that leads toward trance and powerful sonic eruptions\; between otherness\, vertigo\, and resonance with the li ving world. A suspended moment\, like a twilight walk through a Mediterran ean mountain range.  \; 乐手介绍 MUSICIANS Pascal CHARRIER Artisti c Director &ndash\; NAÏ\; NÔ\; PRODUCTION Guitarist\, composer\, improviser 1976 年出生于马赛。先后就读于普罗旺斯萨隆市 的国际音乐培训中心 (IMFP)、中央音乐舞蹈学院 (CMDL)、阿 维尼翁音乐学院 (2006 年取得爵士乐音乐学习文凭 DEM)。 早年他便形成了独树一帜的声音理念与创作思路。 2008 年获波尔克罗勒爵士大赛最佳独奏家奖；2011 年创立Na&ium l\; Nô\;厂牌并担任艺术总监。依托该机构，他打造兼 具高艺术水准与开放包容特质的音乐项目，立足本土地 域文化，同时面向当代艺术创作。 在 Pascal 的音乐里， 每一段旋律都源自于吟唱。他的创作依靠经验与直觉推 进，是一种和声音紧密相连的身体感知。他热衷于探索 乐团与乐器的音色，运用音程组合制造相位效果，营造 音区之间的碰撞反差。借助非常规长节奏段落、非传统 和声进行，他着力塑造连绵又脆弱的听觉质感。他的艺 术主张，是在脆弱、朦胧、不稳定的音乐语境中，挖掘 音乐本身的感染力。 除当代爵士、自由爵士与即兴音乐 之外，地中海音乐与当代古典音乐同样滋养着他的创作 。他作品探讨的主题取材于人间百态、历史事件、社会 议题，以及对自然的思考。 Born in Marseille in 1976. Trained at the IMFP in Salon-de-Provence\, the CMDL\, the Avignon Conservatory (DEM Jazz\, 2006). He developed from early on a singular approach to sound and composition. Winner of the Best Soloist Award at the Porquerolles Jazz Com petition (2008)\; he founded the company Naï\; Nô\; in 2011\, bas ed in Apt\, where he serves as Artistic Director. There\, he develops a mu sical project that is both demanding and open\, rooted in its territory ye t oriented toward contemporary creation. In Pascal&rsquo\;s music\, every written melody originates from singing\, and his compositional process fol lows an empirical\, instinctive path - a deeply physical relationship to s ound. He is particularly interested in exploring orchestral or instrumenta l timbre through combinations of intervals that create phasing effects and contradictions between registers. He also seeks to generate a sense of co ntinuum and fragility\, using long\, atypical rhythmic sequences and irreg ular harmonic progressions. His artistic stance is to find music&rsquo\;s evocative power within fragile\, blurred\, and unstable environments. Alon gside influences from contemporary jazz\, free jazz\, and improvised music \, Pascal Charrier&rsquo\;s work is also nourished by Mediterranean and co ntemporary classical music. The themes explored in his projects are inspir ed by human lives\, historical events\, political issues\, and the contemp lation of nature.  \;  \;Canan DOMURCAKLI Vocalist\, musician 来 自土耳其首都安卡拉的她自幼沉浸在小亚细亚（安纳托 利亚）传统音乐氛围之中。中学时期她开始学习视唱练 耳与土耳其弹拨乐器saz琴 (bağlama)\, 师从 İhsan Ö\;zt&uum l\;rk、Musa Eroğlu 等大师，并通过研习安纳托利亚各地不 同地域风格，不断深耕曲目功底。 对她而言，传统音乐 既是鲜活的记忆，也是理解自身文化的途径。她对民间 诗歌的精通，与这种音乐传统紧密交织，丰富了她的诠 释和表演。 Born in Ankara\, Canan Domurcakli was immersed from childh ood in the traditional music of Anatolia. She started studying solfeggio a nd saz in middle school\, notably with masters İhsan Ö\;ztü\;rk a nd Musa Eroğlu\, and gradually deepened her knowledge of the repertoire t hrough the various regional styles of Anatolia. For her\, traditional musi c is both a living memory and a way to understand her own culture. Her mas tery of popular poetry\, closely intertwined with this musical tradition\, enriches her interpretation and performance.  \;  \;Sigrid AFTRET Saxophonist\, composer 挪威萨克斯演奏家、作曲家 Sigrid Aftret \, 曾获 特隆赫姆爵士乐团颁发的2024 年度爵士新锐基金 奖 (JazZtipendiat). 自2018年就读巴黎国立高等音乐学院 (CNSM) 起，她便通过 L&rsquo\;Autre Collectif 以及  \;Bê\;l、Pet it Matin乐团，和法国爵士乐坛建立起紧密联系。 她也曾 作为特邀乐手，参演 Shan 乐团、Pensé\;es Rotatives 乐团 ，以及 Eve Risser 的红沙漠管弦乐团。 她同时投身音乐教 育事业，受法国国家爵士乐团（ONJ）、Naï\; Nô\; Pro duction、图卢兹大学CIAM 音乐中心邀请，多次开设即兴演 奏与作曲大师课。 Norwegian saxophonist and composer Sigrid Aftret was \; awarded the 2024 JazZtipendiat by the Trondheim Jazz Orchestra. Since her time at the CNSM in Paris (2018)\, she has built strong connect ions with the French jazz scene through L&rsquo\;Autre Collectif and the g roups Bê\;l and Petit Matin. She has also performed as a guest with S han\, Pensé\;es Rotatives\, and Eve Risser&rsquo\;s Red Desert Orche stra. An active educator\, she has led several masterclasses in improvisat ion and composition\, organized by the ONJ\, Naï\; Nô\; Productio n\, and the University of Toulouse/CIAM.  \;  \;Julien PONTVIANNE Saxophonist\, clarinetist\, composer Julien 是萨克斯手、单簧管演 奏家兼作曲家。他从各式各样的音乐传统中汲取灵感： 从文乐复兴时期弥撒曲、印度尼西亚甘美兰，到 Sonic Yout h、Paul Motian 与 Morton Feldman. 他对 &ldquo\;慢&rdquo\; 有着独 树一帜的理解：声音诞生之时一次引燃，顺着时间的引 线缓缓游走，直至归于沉寂。他的音乐由声音聚合体构 成，或连绵不绝，或支离破碎；有时是转瞬即逝的歌谣 & mdash\;&mdash\; 那些与静默相伴、倏忽显现又骤然消散的声 音剪影。 于他而言，音乐即是编织故事，也是一场走向 自身终点的旅途，使人全然沉浸于时间与声音实体之中 。承袭 Gé\;rard Grisey、Salvatore Sciarrino 的创作脉络， 他的作品构筑出一种 &ldquo\;声音生态学&rdquo\;，并在多个 乐团中践行这套美学理念（Watt clarinet Quartet\, Aum Grand Ense mble\, Kepler\, Abhra）。其作品呈现出享乐式的禁欲质感， 一场震颤的冥思。 除作为主创开展个人项目之外，他也 是 \; Onze Heures Onze  \;厂牌的联合创始人，该厂牌是 法国新生代乐坛最富活力的平台之一。他参演的音乐项 目跨度极大，上世纪 20 年代摇摆乐、实验摇滚，直至最 前沿的当代音乐均有涉猎。 2009 年，他以最高荣誉毕业 于巴黎国立高等音乐学院（CNSM），斩获多项奖项，演出 足迹遍布多国：美国、加拿大、中国、日本、印度、哥 伦比亚以及欧洲各国。 Saxophonist\, clarinetist and composer\, Ju lien draws inspiration from diverse musical traditions - from Renaissance masses to Indonesian gamelan\, through Sonic Youth\, Paul Motian and Morto n Feldman. He offers a singular vision of slowness: a single ignition at t he birth of sound\, travelling along the wick of time until its silent ext inction. His music takes the form of sonic aggregates\, continuous or frag mented\, sometimes as fleeting songs - sonic silhouettes that appear and v anish\, bound to silence. For him\, music is the invention of stories and a journey toward its own end\, where one fully inhabits time and the mater ial of sound. His compositions evoke an &ldquo\;ecology of sound\,&rdquo\; in the lineage of Gé\;rard Grisey and Salvatore Sciarrino. He devel ops this aesthetic within several ensembles - the Watt clarinet quartet\, Aum Grand Ensemble\, Kepler\, and Abhra - offering a hedonistic asceticism \, a vibrating meditation. Alongside his projects as a leader\, he is co-f ounder of the collective and label Onze Heures Onze\, one of the most dyna mic on the young French scene. He performs in groups ranging from 1920s sw ing to experimental rock and the most contemporary forms of music. Graduat ed from the CNSM of Paris in 2009 with the highest distinction\, he has wo n several awards and performed in numerous countries: the US\, Canada\, Ch ina\, Japan\, India\, Colombia\, and across Europe.  \;  \;Ariel T ESSIER Drummer\, percussionist 来自法国西南城市波城，最先学 习鼓与古典打击乐，随后进入巴黎地区音乐学院 (CRR) 爵 士专业深造，之后考入巴黎国立高等音乐学院 (CNSM)并于2 013 年毕业。 他曾斩获多项比赛奖项，包括 拉德芳斯爵 士大赛 (2011\, 2012) ，在国内外演出事业十分活跃。 三次 入选爵士迁移扶持计划 （2016 PJ5\, 2018 House of Echo\, 2021 Cha rley Rose三重奏），持续兼顾团体合作项目与个人原创创 作。 2025年，他创作打击乐独奏作品《击鼓曼陀罗》，搭 配视觉投影，于巴黎圣皮埃尔教堂完成首演。 Originally fr om Pau\, Ariel began studying drums and classical percussion before joinin g the jazz program at the CRR and later the CNSM in Paris\, from which he graduated in 2013. A laureate of several competitions\, including \; J azz à\; La Dé\;fense (2011 and 2012) \, he has developed an ac tive career in France and abroad. A three-time laureate of the \; Jazz Migration program  \;(2016 with PJ5\, 2018 with House of Echo\, 2021 with Charley Rose Trio)\, he continues to pursue both collective projects and personal creations. In 2025\, he created Drumming Mandalas\, a solo dr um piece accompanied by visual projections\, performed at Saint-Pierre Chu rch in Paris.\n\nBoletos: https://www.showstart.com/event/306388 URL;VALUE=URI:https://360exp.net/events/4f27695c-e137-481d-9beb-e93bb6296f 34 END:VEVENT END:VCALENDAR