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UID:507af376-3c85-4e9e-8c33-29e145b9a150@360exp.net
SEQUENCE:29842533
DTSTAMP:20260928T170031Z
LAST-MODIFIED:20260927T233358Z
DTSTART:20261108T190000Z
DTEND:20261108T223000Z
SUMMARY:Hail The Sun
LOCATION:Corporation
DESCRIPTION:Legendary independent New York-based rock label Equal Vision Re
 cords and Hail The Sun are excited to announce the release of cut. turn. f
 ade. back.\, the brand new\, highly-anticipated studio album from the accl
 aimed experimental California-based rock band (stream and purchase HERE ).
  Produced & engineered by Pete Adams and GRAMMY® Award Winner Johnny Kosi
 ch of Beach Noise (Kendrick Lamar)\, and mixed & mastered by Zakk Cervini 
 (Blink-182\, Bring Me The Horizon\, Coheed and Cambria)\, cut. turn. fade.
  back. truly finds Hail The Sun going the distance\, encompassing the comp
 lete cycle of life with its four monosyllabic words. An album touching on 
 topics such as military atrocities\, humanitarian crises\, addiction\, los
 t love and death\, the 11 songs presented here capture the cyclical nature
  of all those things\, as well as life itself in general. Watch the video 
 for the album’s latest single\, “Relapse Is A Love Affair\,” directe
 d by Jesse Korman\, on YouTube HERE . Anybody familiar with Hail The Sun w
 ill know there’s always a great deal of meaning beneath the surface. The
 irs are songs that probe the very nature of existence\, that strive to fin
 d the answers to the fundamental questions that being human raises\, and t
 hat don’t flinch away from any form of self-reflection whatsoever. That
 ’s been the case since the band—lead vocalist Donovan Melero\, guitari
 sts Shane Gann and Aric Garcia\, bassist John Stirrat and drummer Allen Ca
 sillas—formed in Chico\, CA in 2009\, but which is especially the case o
 n cut. turn. fade. back.\, their seventh full-length. From the moment the 
 post-hardcore lilt of “The Drooling Class” kicks this record off until
  the passionate intensity of “War Crimes” brings it to an end in a cac
 ophony that emulates the violent conflicts that inspired it\, cut. turn. f
 ade. back. becomes part of the band’s own cycle—re-establishing who th
 ey are while simultaneously (but subtly) reshaping their identity. Just li
 sten to the spiteful\, coruscating energy of “There’s No Place In Heav
 en For Fakes”\, the shapeshifting\, surround-sound production of “Inse
 nsitive Tempo” and “Blight”\, and the almost constant crescendo of 
 “I Can Tell By The Scars” and it’s clear that Hail The Sun are as in
 tentional and fervent about their art as they ever have been. “It doesn
 ’t matter if people take away the intended message from these songs\,”
  says Melero\, “and I’m certainly not going to police it\, but we do\,
  as always\, want to encourage critical thinking. Fifteen years in\, I lov
 e that we've been allowed to have this growing fan base to speak to. I fee
 l very grateful and fortunate\, and I hope that it keeps carrying us forwa
 rd and continues to be the thing that we can sustain life from.”\n\nBole
 tos: https://www.fatsoma.com/e/aipcboo0/hail-the-sun
URL;VALUE=URI:https://360exp.net/events/507af376-3c85-4e9e-8c33-29e145b9a15
 0
STATUS:CONFIRMED
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