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CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:360exp
REFRESH-INTERVAL;VALUE=DURATION:PT1H
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X-WR-TIMEZONE:Australia/Sydney
BEGIN:VEVENT
UID:544c8b9d-6032-41cd-a62a-e14d69eb414e@360exp.net
SEQUENCE:29842786
DTSTAMP:20260928T124724Z
LAST-MODIFIED:20260928T034627Z
DTSTART:20261003T060000Z
DTEND:20261010T070000Z
SUMMARY:Registrations: Hidden Door Journal
LOCATION:The Substation
DESCRIPTION:Part exhibition\, part séance\, part print room: a factory for
  the uncanny.\n\nTicketed public programs:\n\nSaturday 3 October\, 4–6pm
 \nSaturday 10 October\, 4–6pm\nPRESENTED BY THE SUBSTATION & MELBOURNE F
 RINGE\n\nRegistrations unfolds across two Saturdays and an exhibition at T
 he Substation as both public program and publishing experiment: Issue 3 of
  Hidden Door Journal\, produced by Ranch Pressing in real time and under p
 ressure.\n\nPart exhibition\, part séance\, part print room\, the project
  treats performance as inscription — something registered\, duplicated\,
  transmitted\, worn into matter. Sounds\, gestures\, voices and their resi
 due become transcripts\, proofs\, annotations\, copies: published as they 
 occur\, before they disappear.\n\nSet within the industrial architecture o
 f The Substation\, Registrations is a factory for the uncanny. Dead air. C
 orroded transmissions. Signal noise. Across performances and durational ac
 ts of reproduction\, the program turns toward conditions increasingly diff
 icult to ignore: mortality\, necropolitics\, disappearance\, survival\, re
 turn. Life and death are not treated as beginning or endpoint\, but as atm
 osphere\, infrastructure\, afterlife.\n\nRadiotherapy recordings\, suburba
 n séance tapes\, sonic residues and spirit duplications—analogue publis
 hing as real-time feed\, repetitive labour\, insistence against loss. To r
 egister something is to sense\, but also to make a copy. The copy is the t
 race that outlives the event and begins a life of its own.\n\nA joint proj
 ect between Hidden Door Journal and Ranch Pressing.\n\nTraces from the exh
 ibition will remain open to the public from Wed–Sat\, 11am–5pm followi
 ng the ticketed public programs until 17 October.\n\n\nCONTRIBUTING ARTIST
 S\n\nSaturday 3 October\, 4–6pm\n\nDavid Chesworth and Sonia Leber: Arti
 st duo will present a new performance\, featuring sound collected from ove
 r 90 hours of actuality séance tapes recorded by a family in Auckland and
  Australia\, between 1958 and 1972.\nJonnine Nokes\, Joel Stern\, and Mela
 nie Evans: Living with brain tumours\, the three artists bring their pract
 ices in experimental music and art into contact with recordings\, medical 
 scans\, clinical documentation\, memories and altered states of consciousn
 ess arising from their conditions and treatment.\nSaturday 10 October\, 4-
 6pm\n\nSam Dunscombe: Clarinettist\, composer\, electronic musician\, and 
 recording engineer working at the intersection of experimental music\, aud
 io engineering\, and spectralism.\nKarina Utomo: Extreme metal vocalist\, 
 multi-modal artist\, and beekeeper\n\nBoletos: https://ra.co/events/253626
 6
URL;VALUE=URI:https://360exp.net/events/544c8b9d-6032-41cd-a62a-e14d69eb414
 e
STATUS:CONFIRMED
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