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UID:63faa725-c6fa-4017-b506-b04b77fa9fe2@360exp.net
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DTSTAMP:20260816T004925
DTSTART;TZID=Europe/London:20261113T190000
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SUMMARY:Richard Shindell
LOCATION:Community Centre
DESCRIPTION:Richard Shindell lives as both an immigrant and emigrant\, cro
 ssing thresholds\, that informs his illumination of the human experience t
 hrough narrative song. Shindell has inhabited a Zen Buddhist monastery\, b
 usked in the streets of Paris\, opened for Joan Baez (who covered several 
 of his songs)\, and collaborated with Grammy-winner Larry Campbell (Bob Dy
 lan\, Levon Helm\, Elvis Costello). Originally from New York\, now living 
 in Buenos Aires\, Argentina\, Shindell is a writer whose songs paint pictu
 res\, tell stories\, juxtapose ideas and images\, inhabit characters\, viv
 idly evoking entire worlds along the way and expanding our sense of just w
 hat it is a song may be. Meticulously recorded over three years in New Yor
 k and Buenos Aires\, his most recent release\, Careless\, offered an ambit
 ious\, luxurious\, full-length statement. Shindell immersed himself in the
  studio\, allowing the time and latitude to explore\, experiment\, take ri
 sks—to play—as each of these eleven songs was given form and substance
 . While his signature acoustic guitar style is used to good effect\, Carel
 ess also found Shindell plugging in more. “The wider sonic and dynamic r
 ange of the electric has been a real inspiration. Rejuvenating.” During 
 the pandemic\, Shindell stayed in Argentina\, out on the wide open Pampa\,
  reading\, writing\, taking walks\, doing a little experimental recording\
 , and tending the garden. He now returns to the road for a limited number 
 of performances. Innovative\, original and occasionally spiritual\, Shinde
 ll’s songs weave tales that interchangeably champion the downtrodden\, e
 xalt the disaffected or wax empathetic to those lost to society's fringes.
  From lighthearted ballads and adulterous love songs\, to dirges and diatr
 ibes that skillfully skewer politics\, prejudice\, war and religion\, to t
 he comic point-of-view of a cow stuck in a barbed wire fence\, he has a un
 ique ability to morph into the soul of the many and varied personalities h
 e casts as narrators in certain songs—veritable novellas framed in haunt
 ing acoustic melodies. "Occasionally an artist has a night that makes even
  skeptics think\, “O.K.\, maybe he is the best.” Richard Shindell achi
 eved this." — Ann Powers\, NY Times\n\nBoletos: https://wegottickets.com
 /event/687610
URL;VALUE=URI:https://360exp.net/events/63faa725-c6fa-4017-b506-b04b77fa9f
 e2
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