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BEGIN:VEVENT
UID:6613fe27-ee5d-4931-8c7e-2cfdebe48088@360exp.net
SEQUENCE:29842506
DTSTAMP:20260928T052656Z
LAST-MODIFIED:20260927T230647Z
DTSTART:20261005T180000Z
DTEND:20261006T220000Z
SUMMARY:Editions Gravats Label Showcase with Autoreverse and Deep Triskell
LOCATION:The Lubber Fiend
DESCRIPTION:Not many labels as singular as Editions Gravats! A heady brew o
 f outsider electronics from every part of the experimental underground inc
 luding industrial\, drone\, reggaeton and whatever else the fuck they want
  to release. Ran by the enigmatic Low Jack\, this is a label we have been 
 following for over a decade at this point and which continues to intrigue 
 and confound! We are lucky enough to have two artists who have just releas
 ed records on the label\, Autoreverse and Deep Triskell. More on the artis
 ts here: Autoreverse brings together Arnaud Rivière (prepared turntable -
  we should say damaged or destroyed)\, a kingpin of the French noise under
 ground as a programmer at Instants Chavirés and Sonic Protest\, team play
 er with Otomo Yoshihide\, Erik M\, and a hundred others\, \; and Nina Garc
 ia (guitar & feedback)\, recently recruited by Stephen O'Malley's Ideologi
 c Organ label after giving the whole of the Paris region a taste for noise
  guitar solos with her Mariachi project ("Guitar\, pedal. That's all’\, 
 as his Discogs puts it. What he doesn't say is that it's EVERYTHING - a wo
 rld\, a cosmos in itself) – culminating in a self-titled album and insta
 nt classic (Mariachi\, No Lagos\, 2018)\, and various collaborations (Mari
 a Bertel\, Mamiedaragon). and..... Deep Triskell came into shape through a
  series of live performances\, each one bringing the project one step clos
 er to its current sound\, that Primault defines as “stoner-trad” (as i
 n traditional): a sonic matter that is dense\, abrasive\, incompressible a
 nd whose beauty can only be fully comprehended when being physically expos
 ed to it over a long period of time. Deep Triskell’s artistic approach f
 alls within a scene that mesh experimental practices with traditional musi
 c and that has been strongly resurging in France in recent years. On the a
 lbum\, it takes the form of dissonant motives\, typical of drones in tradi
 tional music - sometimes dark and lingering (“Devant le Silence Noir”)
 \, sometimes throbbing and techno-leaning (“Il recrache le diable”) - 
 that Primault integrates into a broader idiosyncratic musical language\, m
 ade of psychedelic figures developed via his High Wolf project and digital
  distortions - characteristic of his recent work as BZMC.\n\nBoletos: http
 s://www.fatsoma.com/e/tdha1buf/editions-gravats-label-showcase-with-autore
 verse-and-deep-triskell
URL;VALUE=URI:https://360exp.net/events/6613fe27-ee5d-4931-8c7e-2cfdebe4808
 8
STATUS:CONFIRMED
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