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UID:7485bcf4-d1d1-4838-92f5-cca2cbd48a54@360exp.net
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DTSTAMP:20260816T012210
DTSTART;TZID=Europe/London:20261103T193000
DTEND;TZID=Europe/London:20261103T193000
SUMMARY:Nick Hakim
LOCATION:Leeds Brudenell Social Club
DESCRIPTION:- Nick Hakim sits somewhere between an analytical philosopher\
 , mystic poet\, and abstract painter. To hear him speak of music is to enc
 ounter someone who fully understands its power\, who has been moved by its
  magic and seen its miracles. He’s devoted to music as both an ancient a
 rtform and eternal medicine. To hear him play music is to feel these truis
 ms in live time. It’s a spirit that the New York-based songwriter has ca
 rried in his music—both as composer and collaborator. From early LPs lik
 e 2017’s Green Twins and 2020’s Will This Make Me Good\, to his new al
 bum\, I Can See\, Hakim has pursued the truth in every note he’s written
 \, every lyric he’s sung. His truth\, though\, is more akin to the abstr
 act and intangible than the factual more Borges than George Washington. It
 's a cosmic assuredness that manifests throughout I Can See\; a belief tha
 t the good in the universe is good for a reason.There’s a song on I Can 
 See that offers insight into the way Hakim wrote\, imagined\, and recorded
  the album. “Real Here Now” tells the story of a house. It’s a house
  not dissimilar from the one Hakim grew up in\, but in this domicile\, he 
 can interact with family members who have since left this realm. It’s a 
 lo-fi subdued soul-pop jam and features some of Hakim’s most direct lyri
 cism to date: “Haven’t seen you in a minute\, I’m good\,” he begin
 s. In describing the composition\, Hakim refers to the “feeling of a son
 g\, ” how he wanted “Real Here Now” to exist as a nostalgic reminder
  of the feeling he has when imagining this space\; a place in which those 
 who have left find their voices again. “It’s connected to hearing some
 one sing songs you used to always hear. Now\, you just a have a memory of 
 them.” How sweet it would be to hear them just one more time\, Hakim exp
 resses on the song.Like almost all of I Can See\, “Real Here Now” was 
 recorded during the same time as Hakim’s last LP\, 2022’s Cometa\, but
  it exists in an entirely different universe than the one in which that pr
 oject rests. It also\, to a certain extent\, exists in a different world t
 han some of I Can See. Half of the album was recorded at Sonic Ranch in Te
 xas\, and the other half was pieced together in Hakim’s New York apartme
 nt. Both sessions took place during the pandemic\, and as such\, I Can See
  is a living\, breathing reaction to Hakim’s shifting space in the world
 . It’s an image of an artist coming to terms with their reality\, captur
 ed in such a way that it reveals new angles with each subsequent viewing
 —or\, in our case\, each subsequent listen.Though these songs are older 
 and they represent an uncertain period in Hakim’s life—when he was fin
 ishing up a record deal\, forming the world of Cometa\, and getting out of
  an extended relationship—I Can See is defined by its clarity. It’s a 
 sharpness alluded to in the title\, like feeling a car rattle as it amplif
 ies potent low end or sitting in a hot tub in zero degree weather. “This
  record felt very cohesive from the beginning. It felt very precious to me
  and the tricky thing was figuring out what songs to put on the record\,
 ” he explains. He arrived at Sonic Ranch with about 40 demos and began p
 icking out which ideas would make it onto the LP. Some of the songs on the
  album\, like “Real Here Now\,” are presented as faithful iterations o
 f those first sketches. It lends the album a tactileness\, an emphasis on 
 dynamics that is enhanced by this duality.Take album closer “Water\,” 
 which was recorded at Sonic Ranch. It’s a piano ballad in which the song
 writer implores his subject to “keep watering\,” alluding to\, “Bein
 g so grateful for someone that is nurturing.” He sings of “the sweetes
 t love” he’s “ever known\,” accented by the ghostly rattling of a 
 barely-there synth. It’s presented without the buzzes and room tone that
  courses through the home recording songs\, and it hits like a punch in th
 e gut.It’s a song about knowing love exists\, and how that feeling is al
 most as good as the love itself\; it’s a comfort in the fact that such p
 ureness can exist in the universe. He is satisfied to capture this as well
  as he can\, knowing that the power of love lies in its ability to elude p
 roper definition. He wrote the song after getting out of that long relatio
 nship\, and it’s only from this perspective that he could sing of the co
 ncept in this way\, untethered from experience and free from heartbreak. 
 “The sweetest love one could know might be far away\, but it's always th
 ere\,” he explains.I Can See is a defining statement from an artist who 
 has yet to put out a record that is anything but. And yet\, Nick Hakim’s
  fourth solo LP is a different experience than his previous efforts. It’
 s bolder\, stronger\, more confident. Hakim is more intimately attuned to 
 his vision\, and there’s not a note on the album that’s out of place. 
 Nick Hakim might shudder at anyone calling him a healer\, but this is cert
 ainly music for healing\, for taking a breath and facing the world with co
 nfidence\, lucidity\, and joy. “There’s something very gentle and very
  medicinal about this music. Obviously\, we all want our music to be heard
  by people\, but I have a different intention with this record\,” he exp
 lains\, before adding: “The intention is for it to connect with people t
 hat need it."\n\nBoletos: https://wegottickets.com/event/705595
URL;VALUE=URI:https://360exp.net/events/7485bcf4-d1d1-4838-92f5-cca2cbd48a
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