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UID:78b2c83e-4c94-42c5-88f7-175e1a88ecfb@360exp.net
SEQUENCE:29842512
DTSTAMP:20260928T161755Z
LAST-MODIFIED:20260927T231248Z
DTSTART:20261010T110000Z
DTEND:20261011T020000Z
SUMMARY:Lancaster Music Festival // Saturday
LOCATION:Kanteena
DESCRIPTION:Djs\, street food\, cocktails & 20 craft beers outside Bands in
 side Afterparty Upstairs All free of charge Mirror Revelations Mirror Reve
 lations are a Mexican psychedelic and krautrock group from Toluca whose mu
 sic is built around repetition\, hypnotic rhythm and a powerful motorik pu
 lse. Formed in 2021\, the project explores the meeting point between psych
 edelic rock\, analogue electronics\, distorted bass and the relentless for
 ward motion associated with bands such as Neu! and Can. Their debut album 
 AURA appeared in 2023\, followed by further recordings and an expanding in
 ternational profile. The band’s music often develops gradually rather th
 an following conventional verse-and-chorus structures\, creating immersive
 \, trance-like performances. Their 2026 album Ígnea coincided with extens
 ive European and UK touring\, bringing their industrial-psych sound to new
  audiences. The Thingumajigs // Family gig Salford’s The Thingumajigs de
 liver family friendly performances that are as popular with the kids as th
 ey are their parents. They are a colourful\, brass-heavy good-time band wh
 ose entire philosophy revolves around getting an audience involved. Their 
 wonderfully eccentric mixture of vaudeville\, cabaret\, ska\, pop and part
 y music features bass\, ukulele\, saxophones\, trombone\, drums\, percussi
 on and plenty of group vocals. Humour is central to everything they do\, b
 ut behind the silliness is a seriously accomplished live band built for si
 nging\, dancing and audience participation. James Lyons James Lyons is a w
 onderfully unconventional multi-instrumental performer whose shows combine
  flute playing\, freestyle rap and beatboxing into something that sits som
 ewhere between musicianship\, improvisation and spontaneous comedy. A regu
 lar festival performer\, Lyons uses his voice and instruments rhythmically
  as well as melodically\, building performances around interaction with th
 e audience and the energy of the moment rather than a rigid set list. His 
 unusual combination of beatbox techniques and flute makes him immediately 
 distinctive\, while his freestyle skills mean performances can change dram
 atically from one appearance to the next. He has also worked in community 
 and participatory music\, bringing his highly accessible approach to audie
 nces of all ages. Blanty Lancashire-born singer\, guitarist and travelling
  musician Blanty has spent much of his musical life taking songs from plac
 e to place. Originally from Rossendale\, he set off travelling with his gu
 itar around two decades ago\, developing a free-ranging approach shaped by
  the people\, cultures and venues encountered along the way. His recorded 
 work includes tracks such as “Zoomalango”\, “Ootsba” and “Musica
  Sin Fronteras” – a title that translates appropriately as “music wi
 thout borders”. Equally comfortable at festivals\, pubs\, parties and in
 formal gatherings\, Blanty embodies the tradition of the wandering musicia
 n: acoustic\, adaptable and interested in using music as a means of connec
 ting with an audience. Soul of the North Soul of the North bring the sound
  and excitement of a classic Northern Soul dancefloor to the stage with a 
 fully live nine-piece band. Featuring male and female lead vocals alongsid
 e a dedicated horn section\, the group recreate the records that became st
 aples of all-nighters across the North of England. Their repertoire includ
 es classics associated with Frank Wilson\, Dobie Gray\, Gloria Jones\, Al 
 Wilson\, R. Dean Taylor\, Judy Street and Frankie Valli & The Four Seasons
 . Rather than simply reproducing the records\, Soul of the North aim to ca
 pture the communal energy surrounding Northern Soul itself: driving rhythm
 s\, soaring vocals and songs built to keep dancers moving. Stompin’ Thom
 pson Stompin’ Thompson is the performing alter ego of Keith Thompson\, a
  North-West musician specialising in energetic rhythm and blues. Described
  as a solo R&B powerhouse\, his sets draw on decades of blues\, rock ’n
 ’ roll and roots music\, using strong rhythms and a direct performance s
 tyle to create considerably more noise than might be expected from a solo 
 act. Thompson is a familiar performer around Lancashire and Cumbria\, appe
 aring at pubs\, festivals and live-music events where his repertoire is ge
 ared towards getting an audience moving. The “Stompin’” name is well
  earned: this is earthy\, accessible live music with its feet firmly plant
 ed in blues and rock ’n’ roll tradition. DJ Andy Stodden / Andy Stoddo
 n Lancaster DJ and producer Andy Stoddon has been involved with electronic
  music since the formative days of the UK rave and house explosion. As par
 t of Analysis DJs he was making music in Lancaster during the early 1990s
 \, working with drum machines and synthesisers while absorbing the sounds 
 coming through the region’s clubs. His subsequent musical life has encom
 passed house\, Balearic sounds and more exploratory electronic selections
 \, alongside production and engineering work connected to the North-West b
 reakbeat scene. Still an enthusiastic DJ and dedicated gig-goer\, Stoddon 
 remains active around Lancaster\, appearing at events including Balearic B
 urger\, Chugg and Lancaster Music Festival and continuing to dig beyond ob
 vious dancefloor choices. Maz and the Phantasms Glasgow’s Maz and the Ph
 antasms are a gloriously unruly psychedelic surf-punk band formed around C
 atalan-Egyptian artist Maz. Their music throws surf guitar\, funky bass\, 
 psychedelic rock\, synthesizers\, spaghetti-western drama and punk attitud
 e into the same overflowing pot. Emerging from Glasgow’s dive bars\, DIY
  parties and queer underground scene\, the group developed its reputation 
 through sweaty\, theatrical performances and extensive independent touring
 . Their self-titled 2025 release captured that mixture of beach-goth atmos
 phere\, danceable grooves and controlled chaos. Equal parts rock band and 
 travelling party\, Maz and the Phantasms approach live music with colour\,
  humour and absolutely no interest in minimalism. The Manfredis The Manfre
 dis are long-standing favourites of Lancaster’s live-music scene and the
  house band associated with The Melodrome. Their speciality is an unusual 
 and highly danceable mixture of rocksteady alongside imaginatively chosen 
 rock and pop covers. Rather than approaching familiar songs as straightfor
 ward reproductions\, the band filter material through their own loose\, ce
 lebratory live style. Over the years The Manfredis have become fixtures at
  local festivals\, community celebrations\, Melodrome events and Lancaster
 ’s major outdoor gatherings. Above all\, The Manfredis are a party band:
  warm\, eccentric and built for dancing. Acme Bass Lancaster’s Acme Bass
  Company are DJs\, promoters and enthusiastic instigators of parties who h
 ave played an important role in the city’s electronic-music culture. The
 ir events range freely across drum & bass\, breaks\, house\, funk and othe
 r corners of dance music\, with Acme Bass regularly combining established 
 headline artists with local selectors. Their rotating crew of DJs keeps th
 e emphasis firmly on the dancefloor. As one local promoter puts it\, there
  is barely “a nook or a cranny” in the area where they haven’t throw
 n a party. Harpmonix Harpmonix is a live-looping solo project that places 
 the Celtic harp somewhere it is rarely heard: at the centre of contemporar
 y electronic dance music. Started in 2024\, the project combines Celtic ha
 rp\, electric guitar\, finger drumming\, samples and looping technology to
  bridge traditional Irish music with drum & bass\, dub\, house and a devel
 oping style its creator calls “harp-tek”. Rather than placing electron
 ic beats underneath conventional folk tunes\, Harpmonix uses live instrume
 ntation to explore genuinely new rhythmic and sonic possibilities for the 
 harp. The project has rapidly begun appearing on adventurous festival line
 -ups\, offering an inventive meeting point between traditional musicianshi
 p\, improvisation and modern soundsystem culture. Dobbeltgjenger Bergen-ba
 sed Dobbeltgjenger make colourful\, groove-heavy alternative rock that mov
 es freely between indie\, funk\, psychedelic pop and danceable art-rock. T
 he Norwegian group have built a reputation for refusing to stay comfortabl
 y inside one genre. Their music combines angular guitar riffs\, muscular b
 asslines\, energetic drums\, falsetto vocals and an almost disco-like sens
 e of movement. Albums including The Twins \, Master of Failure and Smooth 
 Failing demonstrate a band equally interested in catchy hooks and strange 
 sonic detours. Live\, that combination becomes a colourful\, high-energy r
 ock ’n’ roll party. Flat Moon Flat Moon are a six-piece UK collective 
 crashing together funk\, punk and psychedelic weirdness into what they des
 cribe as high-energy\, groove-centred music. Formed in 2019\, the band mov
 e between tightly locked funk and explosive riffs. Their songs explore esc
 apism and identity through a neurodivergent perspective while deliberately
  prioritising fun\, community and unpredictability. The result is music th
 at can be complex without becoming po-faced. Flat Moon have built their re
 putation through exhilarating live shows where genre boundaries rapidly di
 sappear and audiences are invited into the band’s strange\, welcoming an
 d extremely danceable world. She Drew The Gun - DJ SET She Drew The Gun is
  the psych-pop project led by Wirral-born songwriter Louisa Roach. Beginni
 ng as a solo vehicle before developing into a full band\, the project comb
 ines dreamy psychedelia and alternative rock with unusually direct\, socia
 lly conscious lyric writing. Roach attracted the attention of The Coral’
 s James Skelly\, who produced the early albums\, and the band went on to w
 in Glastonbury’s Emerging Talent Competition in 2016. Releases including
  Memories of Another Future \, Revolution of Mind \, Behave Myself and How
 l have established She Drew The Gun as one of the North-West’s most dist
 inctive alternative acts\, balancing hypnotic melodies with punk spirit\, 
 political commentary and outsider solidarity. Grimesy Lancaster producer a
 nd DJ Grimesy is a familiar figure in the city’s drum n bass-music commu
 nity\, he combines DJing with production and has become a regular presence
  at Kanteena and other local events. His sets are rooted in breakbeats\, s
 ub-bass and the energetic lineage of UK jungle\, while appearances alongsi
 de artists such as Conrad Subs demonstrate his connection to the wider con
 temporary D&B scene. Grimesy has also hosted his own “Grimesy & Friends
 ” events\, bringing together DJs and collaborators from around the regio
 n. Whether playing solo or back-to-back\, his focus is straightforward: ra
 pid breaks\, heavyweight bass and dancefloor momentum.\n\nBoletos: https:/
 /www.fatsoma.com/e/6wfdfog8/lancaster-music-festival-saturday
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