BEGIN:VCALENDAR VERSION:2.0 PRODID:-//360exp//Calendar//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:360exp REFRESH-INTERVAL;VALUE=DURATION:PT1H X-PUBLISHED-TTL:PT1H X-WR-TIMEZONE:Europe/Zurich BEGIN:VEVENT UID:80d7e4e7-5568-44da-8590-5eeded764f0c@360exp.net SEQUENCE:29821020 DTSTAMP:20260928T133042Z LAST-MODIFIED:20260913T010055Z DTSTART:20261004T073000Z DTEND:20261004T150000Z SUMMARY:Workshops / Weltformat Graphic Design Festival 2026 LOCATION:Viscosistadt DESCRIPTION:

Am Workshopsonntag können sich Besuchende neue Skil ls aneignen oder in die Welt von renommierten Gestaltenden eintauchen. All e sind willkommen – unabhängig von Erfahrung oder Vorwissen. Die vier- bis siebenstündigen Skill-Workshops bieten den Teilnehmenden einen Starts chuss in ein neues Programm\, Arbeitsmethodik oder Fachgebiet. Die «Work like» Workshops bieten Raum für Experimente und ermöglichen einen engen Austausch mit den Workshopleitenden. Zudem wird ein gemeinsamer Networkin g zMittag angeboten.\n
\n Hier \;kannst Du gleich den zMittag buchen.

On Workshop Sunday\, visitors can learn new skills or immerse themselves in the world of renowned desig ners. Everyone is welcome - regardless of experience or previous knowledge . The four- to seven-hour skills workshops offer participants an introduct ion to a new program\, working method\, or area of expertise. The 'work li ke' workshops offer space for experimentation and close dialogue with the workshop leaders. A networking lunch is also offered.\n
You can book the lunch right \;here.

< strong>Work like Chloé Pannatier / ENG / \;9:30 – 17:00 / 20 People \n
\n This workshop will take the poster as a site of experim entation. Merging analog approach with digital processing\, participants w ill explore visual sampling and experiment around noise and rhythm in a vi sual and synesthetic approach. Working from raw material\, we will see how we can transform apparent accidental moments into intentional design.

Ch loé Pannatier is a graphic designer based in Lausanne. With projects mainly rooted in culture\, she creates identities in the fields of archite cture\, music\, and contemporary art among others. Her practice of creatin g sensory imagery coexists with the precision of typographic conception st emming from the Swiss design tradition.

Wo rk like Eurostandard / ENG / \;9:30 – 17:00 / 20 People\n < br>\n Based on the principle of \;(ITO) \;Input → Transformation → Output → \;(Feedback) \;in the context of visual creation\, this workshop centers on the research conducted by the Eurostandard colle ctive\, which aims to examine how we perceive and produce visual content t oday. This workshop will be a playground for visual experimentation and se rve as the foundation for a collaborative experiment.

Eurostandard is the name of our common design practice. We studied Graphic Design in Sw itzerland and grew up between CH and FR. In our daily practice\, we work w ithin the cultural field with other designers\, artists\, institutions\, o r researchers. We try not to repeat what we have already experienced. We s ee graphic design as a tool for exchange and communication\; we strive to highlight and foster connections between people by experimenting and combi ning all the elements at our disposal to create specific visual languages. We cherish the idea of experimenting with different tools and approaches.

Work like Monica Müller / ENG / \;9: 30 – 17:00 / 20 People\n
\n Who creates the symbols that sh ape public opinion? In this workshop\, participants will design a visual&n bsp\;language for a cause they believe in—or one that has yet to find it s voice. Through posters\, banners\, coding\, editorial design\, interacti ve design and other forms of graphic communication\, we will explore how d esign can challenge dominant narratives\, build collective identities\, an d transform ideas into symbols that people can carry\, share\, and act upo n.

Monica Müller is a designer based in Switzerland working in the fi eld \;of graphic and visual communication\, with a focus on editorial design\, visual identity\, and data visualization. Her practice revolves a round the \;development of visual systems\, publications\, and printed matter for cultural institutions\, socio-cultural projects\, educational initiatives and festivals. \;Trained at ECAL in Lausanne\, she has col laborated with Swiss and Italian studios and works across \;different cultural contexts\, including as a designer for the Locarno Film Festival. She currently works as a graphic designer at CCRZ. \;

Work like Anna Wacławek \;/ ENG / \;9:30 – 17: 00 / 20 People\n
\n Landscape is the layout. Excercises in gr aphic design through worldbuilding. – In this workshop we’ll try to ex plore how perception of our surroundings can translate into designs. We’ ll think of the ways to look more carefully\, catch wider perspectives\, c ollect the views\, textures and translate them into a message. We’ll try few exercises with image making and type\, and put our ponderings into a zine-poster format.

Anna Wacławek \;(b. \;1996.07.10\, in Gdańsk\, Poland) - graphic artist and designer with spe cial love for paper matter. She holds Master's Degree in Graphics\, done a t E. Geppert Academy of Art and Design in Wrocław. She's interested in ma teriality\, geology\, social design and music. She likes to think that eve rything is slightly connected.

Express Pos ters with Studio Bollo / ENG / \;9:30 – 17:00 / 14 People\n
\n As time for design and delivery is always limited in a graphic des igner’s practice\, this workshop focuses on the daily challenge of quick ly creating expressive design work while communicating a clear message. To achieve visual impact\, you will learn how to use typography as a powerfu l tool to capture attention through rhythm\, repetition\, distortion\, col lage\, and boldness. Finally\, the goal is to create a collection of typog raphic experiments presented as a poster series.

Tobias Bolliger\, kn own as Bollo\, is the founder and creative director of Studio Bollo. His i nterdisciplinary design practice operates at the intersection of graphic d esign\, music\, art\, and culture\, creating visual identities\, posters\, artworks\, websites\, and typefaces. His work focuses on experimental typ ographic arrangements and kinetic design systems in interaction with sound . In this context\, he understands graphic design as both an applied commu nicative practice and a form of contemporary expression. The work of Studi o Bollo has been published by Slanted Publishers and Spector Books. The st udio has lectured at the Bern University of the Arts and the Basel Academy of Art and Design\, and has been featured in an interview with It’s Nic e That. Selected works have been presented at Kunsthalle Bern and the Muse um für Gestaltung Zürich\, and have received the Art Book Prize Œuvre d ’Artiste.

«Let's get your poster moving !» \; \;(After \;Effects) mit Simone Hörler / DE / \;9:3 0 – 17:00 / 14 Personen\n
\n Bring dein eigenes Plakatdesig n mit und erwecke es mit Adobe After Effects zum Leben. Im Workshop geht e s darum\, die gestalterischen Möglichkeiten des bewegten Plakates kennenz ulernen und auszuloten.

Voraussetzung: Grundkenntnisse in After Ef fects \;(du \;kannst Keyframes setzen\, weisst was Easing ist und hast schon mal einfache Bewegungen animiert)

Mitbringen:

Dein Plakat als digitale Datei \;(und als A3 Ausdruck\, falls man auch eine AR-Version mit Artivive \;https://www.artivive.com/ \; gestalten möchte).
MacBook / Laptop mit den Adobeprogrammen&nb sp\;(AE\, \;PS\, AI) und genug Leistung für die Arbeit mit AE.\n
\n \;

Dateiformate und technische Angaben: \;\n

Photoshop oder Illustrator\, RGB Farbraum
Elemen te\, die du individuell animieren möchtest\, sollten bereits in einzelne Ebenen aufgeteilt sein. Bei Photoshop-Dateien sollten diese Elemente zusä tzlich freigestellt werden.
Verwendete Schriften installiert\, nicht nur in Vektoren.\n
\n \;
Mindestens 1920 \;× \;1080 \;Pixel\, 72 \;dpi\, \; Hochformat
Oder das DIN-Format auf mindestens 1080 Pixel in der Breite skaliert (Bei Pixelbildern wenn möglich grösser\, falls man skalieren oder mit Zoom-in s arbeiten möchte)

Simone Hörler ist Grafik - und Motion Designerin aus Basel. Sie doziert an der Hochschule für Gest altung und Kunst Basel und lehrt an der Schule für Gestaltung Basel. Dort vermittelt sie\, wie sich unbewegte Gestaltung durch Animation lebendig u nd ausdrucksstark inszenieren lässt.

Sieb druck – hands-on und analog mit Müscle \;(Fruzsina \;Korondi)&n bsp\;/ DE / \;9:30 – 17:00 / 10 Personen\n
\n Wir arbei ten mit analogen Mitteln\, lassen Raster und Strukturen auf dem Papier zus ammenkommen\, und verarbeiten sie zu plakatstarken Entwürfen. Fehler gibt s keine\, oder sind sehr willkommen. Satte Farben und die Überlagerung vo n Bildern verleihen deiner Komposition einen zusätzlichen Twist.\n
\n Der Workshop richtet sich an Studierende/Teilnehmende\, die gerne \;( wiedermal) \;von Hand ein Motiv gestalten wollen\, egal ob Siebdruck-N ewbies oder als Auffrischung. Hauptsache keine Berührungsängste mit Farb e!

Fruzsina Korondi ist seit über 10 Jahren selbst ändige Illustratorin. Neben der Auftragsarbeit für Editorial\, Web und I nstallationen\, betreibt sie in Luzern mit dem Kollektiv Müscle die Siebdruckwerks tatt im Musikzentrum Sedel. Ihr unterlaufen mitunter auch sehr schöne Dru ckfehler.

HY5 Bridging Creat[L]ive Coding Tools \;with Ted Davis / ENG / 13:00 – 17:00 / 14 People\n
\n Using P5LIVE\, we'll dive into creative coding with p5.js in a live coding environment\, generating fullscreen visuals in the web browser. We 'll explore the expressive sum by combining p5.js with Hydra \;(anothe r \;visual framework)\, using HY5\, to pass graphics between the two l ibraries for the best of both worlds!

Ted Davis \;(CH/US) \;is a m edia artist / designer / educator / tool-maker based in Basel\, Switzerlan d. Since 2010 he teaches interaction design within the Institute Digital C ommunication Environments IDCE\, Basel Academy of Art and Design HGK FHNW. His open source projects \;(basil.js\, \;XYscope\, P5LIVE\, HY5\, p5.glitch ) enable designers to program within Adobe InDesign\, render vector graphi cs on vector displays\, collaboratively live code visuals with p5.js\, and glitch any media in real-time within the web browser.

Play in Motion \;(After \;Effects) mit Eleonora Bonor va und Débora Linhares / ENG / 13:00 – 17:00 / 14 People\n
\n In this workshop\, you will learn how to approach motion design with a playful\, exploratory mindset: breaking rules\, embracing accidents\, and creating without boundaries. Together\, we will learn how to build motion experiments around a specific topic. This workshop is designed for those who already know After Effects but want to find new ways of starting a cre ative process. Coming from different creative backgrounds and ways of work ing\, we'll bring a range of perspectives to the workshop.

Eleonora Bonorva is a Swiss motion designer at Studio Dumbar/DEPT® with a stro ng focus on experimental design. With a background in graphic and interact ion design\, she merges her technical expertise with creative vision to cr eate unique visual experiences.

Débora Linhares is a Brazilian mo tion designer at Studio Dumbar/DEPT®. With a self-taught background\, she has a love for character animation and for exploring how small details in movement can bring personality into design. She enjoys experimenting with playful ideas and finding ways to make motion feel more natural\, engagin g and human.

\n\nBoletos: https://eventfrog.ch/de/p/kurse-seminare/kuns t-kultur/workshops-weltformat-graphic-design-festival-2026-748502120868720 8780.html URL;VALUE=URI:https://360exp.net/events/80d7e4e7-5568-44da-8590-5eeded764f0 c STATUS:CONFIRMED END:VEVENT END:VCALENDAR