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REFRESH-INTERVAL;VALUE=DURATION:PT1H
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BEGIN:VEVENT
UID:9015a5ce-0a25-46fd-82c8-56d4fb6932ac@360exp.net
SEQUENCE:29842630
DTSTAMP:20260928T121216Z
LAST-MODIFIED:20260928T011017Z
DTSTART:20261011T180000Z
DTEND:20261011T215900Z
SUMMARY:biegungen: Ryoko Ono & Alexander Frangenheim / M. Takara & Carla Bo
 regas feat. Dudu Kouate
LOCATION:Ausland
DESCRIPTION:Ultimately\, it remains a mystery why the music of M. Takara an
 d Carla Boregas possesses such an inherent sense of calm. After all\, the 
 stripped-back synth harmonies and agile drumming actually create a state o
 f constant tension. It is as if these two opposing energies give rise to a
  new quality. Drummer M. Takara plays airy grooves featuring a dense web o
 f ghost notes\, informed by bossa nova and hard bop\; Carla Boregas counte
 rs with sparse accents and the pulsating sounds of her analog synthesizers
 . The versatile percussionist Dudù Kouate adds another layer to the duo's
  sound. Equally at home in the musical traditions of West Africa and the W
 estern avant-garde\, Kouate has worked with the Art Ensemble of Chicago\, 
 Roscoe Mitchell\, Moor Mother\, and others.\n\nRyoko Ono and Alexander Fra
 ngenheim\, two heavyweights of improvised music\, come together in this en
 counter. The saxophonist and flautist Ono is as adept at progressive rock
 \, hip-hop\, noise\, and R&B as she is at free improvisation. With exquisi
 te technique\, she contrasts her lyrical playing with noise-like sounds th
 at suddenly emerge from and vanish back into an organic flow of scales. Tr
 ained double bassist Alexander Frangenheim has spent years perfecting his 
 expressive playing style\; the long list of his collaborators reads like a
  "who's who" of the international improvisation scene. He commands a vast 
 array of tonal colors and possesses tremendous agility in his playing.\n\n
 Supported by The Capital Cultural Fund (HKF) Berlin\n\nBoletos: https://ra
 .co/events/2508458
URL;VALUE=URI:https://360exp.net/events/9015a5ce-0a25-46fd-82c8-56d4fb6932a
 c
STATUS:CONFIRMED
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