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UID:978eba75-14ff-4707-8296-313d95dcda1f@360exp.net
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DTSTAMP:20260816T004502
DTSTART;TZID=Europe/London:20261008T190000
DTEND;TZID=Europe/London:20261008T190000
SUMMARY:Hannah Scott
LOCATION:Birmingham Kitchen Garden Cafe
DESCRIPTION:- The best stories elicit profound personal reactions and in t
 he 15 years she has been writing and performing\, Hannah Scott has become 
 a consummate storyteller. Her music is shaped by human stories\, with fami
 ly\, in all its chaos and glory\, sitting at the heart of her work. Her ly
 rics are powerful and poignant\, and her voice feels strangely familiar\, 
 though you can’t quite put your finger on why. Her writing may be deeply
  personal but her music has a universal appeal that extends beyond the mel
 odies you catch yourself humming days after listening to her songs. The co
 nnection she builds with her audiences is most evident in the stories shar
 ed after her performances: the woman whose elderly mother lost a sibling i
 n childhood and is moved to tears by Boy In The Frame\; the young father w
 ho\, upon hearing My Dad & I\, realises he wants to spend more time with h
 is small children\; the adoptive parents who\, like Hannah as a step-paren
 t\, may not have been the first person to hold their child\, but Love You 
 Like I Did. A deep-rooted desire for this connection has always been the d
 riving force behind her songwriting and live performances.Born in Suffolk 
 and raised by an artist mother and an eccentric entertainer father\, with 
 music going back three generations to her songwriting great-grandmother\, 
 creativity was always destined to be an integral part of Hannah’s life. 
 At the age of four\, her father bought a second-hand piano for £70 from a
  friend in the pub and she didn’t look back\, falling in love with both 
 playing and listening to classical music. Picking up a guitar in her early
  teens as the influence of her peers and more contemporary music took hold
 \, Hannah taught herself some simple chords that would lay the foundation 
 for her earliest attempts at songwriting.Career highlights include having 
 her song No Gravity featured on the hit international TV series Grey’s A
 natomy\, recording a live session on BBC Radio 2 with Dermot O’Leary and
  opening for Madeleine Peyroux\, performing to an audience of two thousand
 . She has also shared the stage with folk luminaries such as Seth Lakeman\
 , Cara Dillon and Fairport Convention and has performed at festivals inclu
 ding Cambridge\, Sidmouth and Manchester Folk. Equally at home in small ve
 nues\, she thrives on the intimacy of performing in spaces where she can l
 ook audience members in the eye.“She reduces women and children to tears
  - in a good way…” (The Guardian).“…and grown men.” (Tom Besford
 \, English Folk Expo & Richard Haswell\, Liverpool Philharmonic).“This i
 s beautiful.” (Dermot O’Leary\, BBC Radio 2).“Wonderful songwriting.
 ” (Seth Lakeman).“She screams class but in the quietest way possible.
 ” (Folking.com).\n\nBoletos: https://wegottickets.com/event/708314
URL;VALUE=URI:https://360exp.net/events/978eba75-14ff-4707-8296-313d95dcda
 1f
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