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UID:9cae7f91-8c95-4fc7-9d14-0fa893212be4@360exp.net
SEQUENCE:29842523
DTSTAMP:20260928T055809Z
LAST-MODIFIED:20260927T232315Z
DTSTART:20261113T193000Z
DTEND:20261113T230000Z
SUMMARY:Emma-Jean Thackray: Dear Miles - A Love Letter
LOCATION:EartH
DESCRIPTION:This event will take place in EartH Theatre.\n\nDear Miles\,\n
 \nI discovered you by accident. As a naive thirteen year old I came across
  a track by mistake\, not knowing your genius\, not knowing how that one m
 oment changed the trajectory of my life.\n\nI was learning a brass band so
 lo piece\, Concerto de Aranjuez\, and found your version on an illegal dow
 nload site. “Who is this Miles Davis guy?” I asked. No-one in my pro
 vincial orbit knew your name\, so I assumed you were just some guy\, and t
 hat I discovered you. After that I looked for you in CD shops\, piecing to
 gether bits of pocket money to buy your work and playing it on the Discman
  in my hoodie on the long walk home because I could no longer afford the b
 us.\n\nI learnt the melody and solo of Four on my trumpet by ear because i
 t stood out to me\, not knowing it was an important part of the great Amer
 ican songbook\, and not knowing I was already immersing myself in jazz tra
 ining. I was already starting to write my own music\, my own words\, but y
 ou blew everything wide open and showed me a whole world of music that I h
 adn’t known. You made me want to play jazz. You made me realise I was an
  artist. I wasn’t just inspired by you\, I studied you - and not just th
 e notes but you. How you had one ear on the notes you played and your othe
 r ear on the whole thing\, the aesthetic\, the production\, the vibe. This
  is how I work\, too - splitting my brain to inhabit many roles at once. N
 ot just a musician but a bandleader\, a producer\, an auteur. \n\nYou pus
 hed boundaries\, didn’t let anyone tell you what to do\, but followed yo
 ur own ear. Some people dug it\, some people took a minute\, some people n
 ever caught up. The most important thing was your own artistic integrity b
 ecause that was everything to you\, and I took that to heart. That’s the
  most important thing to me\, too. I don’t care if everybody's into what
  I do or not\; the right people will listen. What I do comes from deep wit
 hin\, maybe even from somewhere else\, but it’s like air\, it’s my pur
 pose. I recognise that in both of us.\n\nWhat would you be doing today if 
 you were still here? I truly have no idea\, but I know you wouldn’t be s
 tanding still\, you’d be doing something groundbreaking and mixing thing
 s that people had previously thought shouldn’t be mixed to make somethin
 g new. Would there be dance music textures? Drum and Bass\, Jungle\, or Te
 chno underpinning improvisation? Blending modern groove with jazz harmony?
  Drum machines together with live instruments? Would you revisit your clas
 sic tunes and make them anew with the ear of a beat maker? Would you make 
 the electric period actually electronic?\n\nI don’t know what you’d be
  doing\, but it doesn’t matter because I’m going to do that for you...
 \n\nFor more information on access at EartH\, please see our FAQs here: ht
 tps://bit.ly/44dzl75 or contact us at access@earthackney.co.uk\n\nEartH is
  a social enterprise committed to supporting new musicians\, with music st
 udios in the venue that are completely free for young artists to use. When
  you attend a show in EartH Theatre\, head to the back of the space to ren
 t a cushion for just £2. Not only will you get to sit more comfortably\, 
 but all proceeds go towards funding Studio 36. Find out more here: https:/
 /earthackney.co.uk/about/studio-36/\n\nBoletos: https://dice.fm/event/eoyq
 wy-emma-jean-thackray-dear-miles-a-love-letter-13th-nov-earth-london-ticke
 ts
URL;VALUE=URI:https://360exp.net/events/9cae7f91-8c95-4fc7-9d14-0fa893212be
 4
STATUS:CONFIRMED
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