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UID:9dcba9d0-37b5-4895-9450-663fcb7fcdb2@360exp.net
SEQUENCE:29842613
DTSTAMP:20260928T065849Z
LAST-MODIFIED:20260928T005330Z
DTSTART:20261024T183000Z
DTEND:20261024T203000Z
SUMMARY:Pop Mutations & The Glad Cafe presents: Deradoorian + Mason Lindahl
LOCATION:The Glad Cafe
DESCRIPTION:Fusing elements of indie rock\, avant-garde electronic music\, 
 dub\, and dance rhythms\, Deradoorian is the name Angel Deradoorian works 
 under as a solo artist. She launched said solo career after making a name 
 for herself as a member of Dirty Projectors and collaborating with artists
  such as Avey Tare and Flying Lotus. Her albums\, including 2015's 'The Ex
 panding Flower Planet' and 2020's 'Find the Sun'\, are cosmic song cycles 
 informed by her spiritual journey. After collaborating with Kate NV under 
 the name Decisive Pink on 2023's heavily electronic 'Ticket to Fame'\, Der
 adoorian added that sound to her already jam-packed approach on 2025's 'Re
 ady for Heaven'.\n\n‘Ready for Heaven’ deals with heaven and earth\, d
 amnation and salvation\, and using intelligence against rampant\, naked gr
 eed. It is a classic forty minute set of inquisitive pop songs\, blessed w
 ith a lightness of touch and a sharp focus that can’t help but charm the
  listener. It conjures up some last\, faint afterglow of the old belief th
 at an electronic\, programmed beat can smash itself - and you - into anoth
 er\, more egalitarian consciousness.\n\n“Deradoorian’s voice is the ma
 in attraction. Wispy one moment\, bellowing full-throated the next\, and c
 apable of dazzling melismatic runs\, it remains her not-so-secret weapon.
 ” Pitchfork\n\nIt is a remarkable fact that this bold and open-hearted r
 ecord is made by one person\, working alone. Repeatedly reworking the song
 s until they were complete is a painstaking process that generated an ener
 gy and space where Deradoorian could indulge in the arcana of her artform.
  “I love the production more than the songwriting. [...] In fact\, I don
 ’t even feel like a songwriter at times\, I feel like someone who is jus
 t inspired by so much music. And I want to try it all out! Like Lizzy Merc
 ier Descloux\, Mingus\, or ESG and Silver Apples\, or making weird krautro
 ck and industrial music. I love dub\, and Sly and Robbie. I love the produ
 ctions of those records and the collective energies released by their crea
 tors in the studio. It’s just a weird thing to do it by yourself!”\n\n
 Engaging with past musical glories helps deal with a major theme of this a
 lbum\; the awful nature of the world around us. Deradoorian: “This album
  is partly about watching humanity erode. It’s about mental struggle\, a
 nd it’s avowedly anti-capitalist. I mean\; would we have all these ident
 ity labels we have to live by\, if we didn’t live in a capitalist world?
 ”\n\nGuitarist Mason Lindahl — whose “unabashedly beautiful” (Aqua
 rium Drunkard) sound “balances the romantic dynamics of flamenco and the
  meticulousness of Windham Hill with the unguarded qualities of improvised
  music” (Pitchfork) — will release a pair of new albums\, Joshua / Sam
 e Day Walking\, this fall via Mt. Brings Death. Though packaged together\,
  Joshua and Same Day Walking chart distinct worlds. Recorded in northern C
 alifornia and produced by Robby Moncrieff (Dirty Projectors\, Zach Hill)\,
  Joshua is woolier and warmer\, evoking haze\, humidity\, and overgrown Sp
 anish moss. Meanwhile\, Same Day Walking — recorded in Iceland and produ
 ced by Moncrieff alongside two-time GRAMMY-winning composer / sound design
 er Sam Slater (Joker\, Chernobyl) — is\, appropriate for its icier clime
 s\, windswept and beholden to the vast emptiness of harsh landscapes. As a
  pair\, they provide a thorough portrait of Lindahl’s singular and versa
 tile playing. Described by friend and contemporary Hayden Pedigo as “the
  greatest living guitar player\,” Mason Lindahl’s “austere\, gothic 
 flamenco…dares you to submit to this odd and immersive sonic universe”
  (Uncut). The North Carolina native’s solo instrumental debut Kissing Ro
 sy in the Rain\, released in 2021 via Tompkins Square\, was praised as “
 gorgeous” (Petal Motel) and “a minimalist gem” (Everything Is Noise)
 . Prior to that\, his only other solo release is 2009’s Serrated Man Sou
 nd.\n\nMinimum age: 18+\n\nBoletos: https://ra.co/events/2509804
URL;VALUE=URI:https://360exp.net/events/9dcba9d0-37b5-4895-9450-663fcb7fcdb
 2
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