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UID:a981411f-27ac-4985-9ab5-4d6c62da4632@360exp.net
SEQUENCE:0
DTSTAMP:20260910T230812
DTSTART;TZID=America/Los_Angeles:20261008T030000
DTEND;TZID=America/Los_Angeles:20261008T030000
SUMMARY:(((folkYEAH!))) Presents - Y La Bamba
LOCATION:Moe's Alley
DESCRIPTION:(((folkYEAH!))) presents Y La BambaWednesday\, October 7\, 202
 6Doors: 7pm // Show: 8pm$25 in advance // $30 day of the show21+* No Refun
 ds | All sales are final* Avoid scammers! Only purchase tickets from moesa
 lley.com or ticketweb.com* Tickets requested by email will be delivered 3 
 days prior to the event* Will Call tickets will be available at the door o
 n the day of the event====Y LA BAMBATo declare one thematic narrative from
  Lucha\, Y La Bambas seventh album\, would be to chisel away a story withi
 n a story within a story into the illusion of something singular.Lucha is 
 a symbol of how hard it is for me to tackle healing\, live life\, and be p
 resent\, Luz Elena Mendoza Ramos\, lead vocalist and producer of Y La Bamb
 a\, says of the title behind the album which translates from Spanish to En
 glish as fight and is also a nickname for Luz\, which means light. The alb
 um explores multiplicitylove\, queerness\, Mexican American and Chicanx id
 entity\, family\, intimacy\, yearning\, lonelinessand chronicles a period 
 of struggle and growth for Mendoza Ramos as a person and artist.Lucha was 
 born out of isolation at the advent of COVID-19 lockdowns\, beginning with
  a cover of Hank Williams Im So Lonesome I Could Cry\, and following Mendo
 za Ramos as she moved from Portland\, Oregon to Mexico City\, returning to
  her parents home country while revisiting a lineage marred by violence an
 d silence\, and simultaneously reaching towards deeper relationships with 
 loved ones and herself. The album reflects another tier of facing vulnerab
 ility\, as Mendoza Ramos explains\, and is a battle cry to fight in order 
 to be seen and to be accepted\, if not celebrated\, in every formanger and
  compassion\, externally and internally\, individually and societally. As 
 much as la lucha is about inner work\, fighting is borne from survival ste
 mming from social structures designed to uplift dominant groups at the han
 ds of suffering amongst the marginalized.While peeling back layers of the 
 past to better understand the present has been integral to this period of 
 growth for Mendoza Ramos\, time\, trauma\, and history can feel like inter
 connected\, abysmal loops and music has remained a trusted space for Mendo
 za Ramos to process\, experiment\, and channel her learnings into a creati
 ve practice. In this way\, Lucha has become cyclical\, documenting the par
 allel trust Mendoza Ramos has built with herself to allow the songs to gui
 de how they should be sung\, or even sound.Ive been wanting to let whateve
 r feels naturalwith rhythm and musical instruments like congas and singing
 to just let it be\, in the way that Im trying to invoke in myself. Lucha r
 eflects on\, the continuing process of learning how to exercise my produci
 ng skills\, explains Mendoza Ramos. I have so many words\, ideas to work w
 ith all the time\, and the hardest part for me has been learning to trust 
 my gut. And figuring out how I work best\, and with who.\n\nBoletos: https
 ://www.ticketweb.com/event/folkyeah-presents-y-moes-alley-tickets/15048083
URL;VALUE=URI:https://360exp.net/events/a981411f-27ac-4985-9ab5-4d6c62da46
 32
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