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DTSTART;TZID=America/New_York:20260920T230000
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SUMMARY:Steve Forbert
LOCATION:Cafe Wha?
DESCRIPTION:Please Note: All Sales Final. Two Item Minimum Per AttendeeAn 
 introspective\, homespun philosopher - New York TimesSteve Forbert is a tr
 ue American musical treasure\, underscored by the new album\, Daylight Sav
 ings Time. Like all his albums\, its saturated with what venerated rock jo
 urnalist Robert Christgau discerned as his omnivorously observant songwrit
 ing\, marked by Steves gift for finding the more profound meaning and magi
 c within everyday moments\, as well as his abundant melodic and poetic enc
 hantmentLike Warren Zevon\, Gram Parsons\, Bob Dylan\, Tom Petty\, and Bru
 ce Springsteen\, Steve Forbert has left his unmistakable imprint on the la
 ndscape of American music\, says American Songwriter. As with other esteem
 ed creative souls\, his work is marked by his own distinctive qualities\, 
 and he speaks genuinely to his listeners.As Forbert approaches the milesto
 ne of his 70th birthday\, Daylight Savings Time contemplates and celebrate
 s the proverbial extra hour of daylight that comes with the time change. Y
 eah\, to chirping crickets and to daylight savings time! he sings on the a
 lbums first single\, Sound Existence\, The best aint yet to come\, but you
  could still get by just fine.Daylight Savings Time is Forberts third albu
 m helmed by producer/engineer Steve Greenwell. Its core components were cu
 t at Greenwells studio in Asbury\, NJ\, with drummer Aaron Comess (Spin Do
 ctors) and keyboard player Rob Clores (Jesse Malin\, The Black Crowes\, To
 m Jones.) Supple bass lines were contributed by Byron House (Dolly Parton\
 , Emmylou Harris\, Johnny Cash\, Al Green\, and more.) Gurf Morlix\, whose
  guitar and production gifts were elemental in launching Lucinda Williams 
 into the spotlight\, tracked his note-perfect six-string contributions at 
 his home studio just outside Austin\, Texas.When Steve arrived in New York
  City from his Meridian\, Mississippi hometown in 1976\, his aim was estab
 lishing a lifetime of creating\, performing\, and recording the songs hed 
 started writing at age 17 after cutting his teeth as a teen in local rock 
 bands. He slotted seamlessly into the new folk revival in such Manhattan c
 lubs as Folk City\, The Bitter End\, and Kennys Castaways\, yet at the sam
 e time took the stage at CBGB\, ground zero of the burgeoning punk/new wav
 e movement. He also busked on the streets of Greenwich Village and in the 
 elegant confines of Grand Central Station.Forbert chose his solo approach 
 of voice\, acoustic guitar\, and harmonica\, accented by foot stomps\, to 
 best approximate the melodic fullness and drive of a band. It inevitably c
 aused him to be tagged as one of the numerous new Dylans that emerged in t
 he 1970s. Evoking the young Dylan has become a clich for artists of this s
 ort\, observed The New York Times\, but\, in this case\, Mr. Forbert deser
 ves the evocation. However\, Steve focused on refining his singular musica
 l voice and personality.\n\nBoletos: https://www.ticketweb.com/event/steve
 -forbert-cafe-wha-tickets/14264774
URL;VALUE=URI:https://360exp.net/events/ad6f853a-3334-4578-8003-3dca6c4f80
 1e
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