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METHOD:PUBLISH
X-WR-CALNAME:360exp
REFRESH-INTERVAL;VALUE=DURATION:PT1H
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BEGIN:VEVENT
UID:b0b98a9b-14e7-44d9-84aa-ff8aceddc5f4@360exp.net
SEQUENCE:29842618
DTSTAMP:20260928T023549Z
LAST-MODIFIED:20260928T005850Z
DTSTART:20261121T190000Z
DTEND:20261122T020000Z
SUMMARY:Love Is Everywhere #9: Tina Edwards // Paul Murphy // Masumi Endo /
 / Foot Notes
LOCATION:Grow
DESCRIPTION:The ninth edition of Tina Edwards’ jazz dancefloor party welc
 omes a pioneering legend of jazz dance. Expect uncompromising percussion\,
  high tempo break-downs and lucious horns\, all at the hands of Jazz Room 
 Records head-honcho Paul Murphy. A huge inspiration for a young Giles Pete
 rson\, Murphy’s impact on club culture in the UK cannot be underestimate
 d. Since his London residencies in the ‘70s and ‘80s\, he’s brought 
 jazz into club spaces—and was one of the first to do so. \n\nAs always\,
  the night will open with a free entry\, beginner friendly jazz dancefloor
  lesson from one of the world’s most admired dancers in the scene\, Masu
 mi Endo. Dance collective The Footnotes will return to the party of their 
 founding to perform right before the headline set. \n\nThe Love Is Everywh
 ere experience orbits jazz\, expanding into Latin and Brazilian rhythms\, 
 jazz-disco and broken beat.  The first set from Tina Edwards leans hard in
 to the jazz dance spirit\, with her second set taking on more of a four to
  the floor flavour. \n\nPAUL MURPHY\n\nPlaying an explosive mix of Jazz\, 
 Latin\, Soul and contemporary dance music to discerning crowds across the 
 planet\, Paul Murphy has been deejaying since the late ‘70s. His musical
  journey has wound through residencies at celebrated London clubs The Wag
 \, The Electric Ballroom\, The 100 Club and Hoxton Square’s Blue Note\, 
 alongside performances with the likes of Tito Puente\, Celia Cruz\, Art Bl
 akey and The Jazz Messengers\, Jimmy McGriff\, Tania Maria and Lonnie Smit
 h.\n\nPaul also ran a highly influential record shop and managed a label\,
  overseeing the release of the politically inspired Venceremos by London J
 azz-dance collective Working Week\, alongside albums by British Jazzers To
 mmy Chase and Harry Beckett.\n\nHe has several compilations under his belt
 \, including Jazz Club Volumes 1 and 2\, Return to the Jazz Club on Ace Re
 cords\, Jazz Room Volumes 1 and 2 on BBE Records and Covers on the Jazz Ro
 om label.\n\nHis own Jazz Room Records has released an eclectic selection 
 of music\, from Take Vibe’s take on The Stranglers’ Golden Brown and W
 est Coast fluteman Eric Ghost\, to vibraphonist Khan Jamal\, Japanese funk
  fusionists indigo jam unit\, Nuyorican Latin House from Tata Vasquez and 
 Fela Kuti-meets-Cumbia vibes with Mitchum Yacoub.\n\nPaul’s expertise in
  finding the rare and obscure and matching it with the new and fresh inspi
 red the likes of Gilles Peterson\, who has said: “Paul Murphy found almo
 st every Jazz Dance classic. He is the Original Messenger of Jazz. He open
 ed the door to an alternative way of being a DJ.”\n\nTINA EDWARDS\n\nDJ
 \, broadcaster\, music journalist and curator Tina Edwards has been proudl
 y spotlighting the UK Jazz scene since the early 2010s\, putting music-hea
 ds onto inspiring sounds through every medium possible. Whether via her ra
 dio home Bandcamp Selects\, the subscriber-based Jazz-ish Jazz Club\, her 
 programming across the UK and Europe or her DJ sets\, her deep digging is 
 evident.\n\nWith contagious energy and deep music knowledge\, from West Af
 rican groove and Latin-house to 00s Italo Jazz\, Tina’s sets are never p
 redictable. An internationally acclaimed DJ\, she encourages dancers to ig
 nore the booth and stay present on the dance floor.\n\nTina began DJing sh
 ortly before the pandemic\; since then\, demand behind the decks has taken
  her and her red box of 45s around the world\, performing in Australia\, J
 apan\, Singapore\, LA\, Chicago and across Europe. She’s played Glastonb
 ury\, Montreux Jazz and North Sea\, alongside headline sets for the BAFTAs
  Official After Party\, film premieres\, Netflix and Ray-Ban.\n\nTina’s 
 sets are wildly eclectic and full of wild cards\, but her grounding comes 
 from the language of jazz. The Londoner is recognised as one of the few DJ
 s of her generation upholding jazz dance floor culture\, something she con
 tinues through her internationally renowned night Love Is Everywhere\, whi
 ch draws established jazz dancers from across Europe and Asia.\n\nWherever
  she plays\, her sets avoid predictable arcs. Latin jazz\, cumbia\, off-be
 at disco\, Afro-diasporic grooves\, psychedelia and obscure 45s picked up 
 on her travels all feed into her playful\, intoxicating sets.\n\nMASUMI EN
 DO (jazz dance teacher)\nMasumi Endo is a dancer\, choreographer\, and mov
 ement director. Born in Fukuoka\, Japan\, she began ballet at the age of 3
  and learned various street dance styles such as Hip-hop\, Lock dance\, So
 ul\, and House from the age of 11. She moved from Tokyo to London in 2023 
 and has been performing and teaching regularly across London since. \n\nFO
 OT NOTES\nFoot Notes is an open community in London who celebrate dance an
 d music through the lens of UK Jazz Dance. Foot Notes gave their first eve
 r public performance at Love Is Everywhere #4.\n\nMusic schedule: \n7-10 T
 ina Edwards warm-up set\n\n10-12.30 Paul Murphy\n\n12.30-2 Tina Edwards\n
 \nDance schedule: \n7-8PM: Absolute beginners dance lesson from Masumi End
 o\n\n9.30PM: Performance from Masumi Endo and Foot Notes \n\nTICKET\nENTRY
  INFORMATION\nLimited £5/£7 advance tickets via RA (before 10pm)\nFree b
 efore 9pm\nThe majority of tickets are on the door for £10 (after 9pm)\nL
 ast entry 1 am\n\nBoletos: https://ra.co/events/2511260
URL;VALUE=URI:https://360exp.net/events/b0b98a9b-14e7-44d9-84aa-ff8aceddc5f
 4
STATUS:CONFIRMED
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