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UID:b1107ff0-6c42-4294-9c8b-7a78808cba87@360exp.net
SEQUENCE:29843028
DTSTAMP:20260929T002049Z
LAST-MODIFIED:20260928T074834Z
DTSTART:20261008T230000Z
DTEND:20261009T010000Z
SUMMARY:Amelia Day
LOCATION:Eddie's Attic
DESCRIPTION:**Amelia Day live at Eddie's Attic!**\n\nIt took a world-shakin
 g breakup for Amelia Day to find her true sound — and herself.\n\n"I kne
 w you then\, before all of this…but you left me for your ego trip\," she
  sings to her ex-girlfriend on "Ego Trip\," the title track from her newes
 t EP. Stacked high with alt-rock guitars\, pop hooks\, and swooning keyboa
 rds\, the song is more than a genre-bending kiss-off to a no-good lover\; 
 it's also a reminder that true artists remember where they came from\, hon
 oring their roots instead of chasing after trends.\n\nFor Amelia\, those r
 oots began growing in her childhood home of Sumner\, Washington. Raised in
  the Pacific Northwest\, she leaned into the music of her parents' CD coll
 ection — from folk icons like Simon & Garfunkel to rock pioneers like Qu
 een and Creedence Clearwater Revival — before falling in love with the e
 mpowered\, electrifying frontwomen of the 1990s. Songwriters like Alanis M
 orissette and Sheryl Crow would eventually inspire the gritty\, rock-influ
 enced textures on EGO TRIP\, but not before a cross-country move took Amel
 ia to Nashville. There\, she did more than strengthen her storytelling ski
 lls by earning a college degree in English\; she discovered a new world of
  house shows and open mic nights\, too. Those performances were formative 
 experiences\, showcasing Amelia's ability to blend her chops as a wordsmit
 h with her decades-spanning range of influences.\n\n"I'd grown up listenin
 g to different kinds of music\, so it felt natural to lean into all of tho
 se sounds once I started playing shows\," she remembers. Whenever aspiring
  managers or booking agents came calling\, they'd often push her to narrow
  her approach by choosing a single genre. Amelia refused\, building a nati
 onal audience on her own terms with diverse tracks like the soulful\, jazz
 -influenced “Skippin' Down the Sidewalk" and the indie folksong "Eastwar
 d of Eden."\n\n"If you're writing material that feels very true and person
 al\, you'll develop a sound that's signature to you\, regardless of genre
 \," she says\, speaking with a perspective that belies her 23 years. "And 
 it's affirming to hear that people like that material\, because it means t
 hey like your music\, not just a style."\n\nBefore long\, Amelia's schedul
 e of open-mic gigs had given way to something bigger: sold-out shows that 
 stretched from Seattle to Boston\, as well as high-profile slots at Bumber
 shoot\, Capitol Hill Block Party\, Folklife Festival\, and Seattle PrideFe
 st. For an artist who'd battled stage fright until her college years\, nev
 er envisioning herself playing to large crowds\, this felt like life-chang
 ing progress. Amelia's life changed once again after graduation\, when a 2
 \,500-mile road trip with her longtime partner ended in a sudden\, heartbr
 eaking split. The separation was jarring\, and in its aftermath\, she foun
 d comfort in her favorite '90s rock records. Amelia began writing new song
 s inspired by that timeless music\, creating a soundtrack for her long jou
 rney from heartbreak to healing.\n\n"That breakup changed my perspective o
 n the world\," she admits. "It took away some of my naïveté and helped m
 e settle into who I really am as an artist. When I started making new musi
 c\, it felt more adult\, more rock-based\, and more tied to the strong\, p
 owerful\, wise women who've always said what they wanted to\, without hold
 ing their tongues."\n\nThat outspoken freedom springs to life on EGO TRIP.
  Amelia co-produced the album with Taylor Carroll\, handling much of the a
 lbum's instrumentation — including guitar\, piano\, keys\, and auxiliary
  percussion — herself. To capture the album's mix of mood\, muscle\, and
  melody\, she headed back home to Washington State\, where she set up camp
  at Bear Creek Studio. Songs like the countrified "Margie" nod to the stud
 io's woodsy setting\, but EGO TRIP is a record that creates its own geogra
 phy\, from the Laurel Canyon-worthy folk-rock of "Lady Los Angeles" to the
  raw attitude that fuels "GET OUT OF TOWN!" Amelia hasn't abandoned the di
 versity that's always permeated her catalog\, but she's more focused this 
 time around. As a result\, EGO TRIP doesn't sound like anyone else\; it ju
 st sounds like Amelia.\n\n"Usually\, I'll use a lot of metaphors in my son
 gs\," she says. "But songs like 'EGO TRIP\,' 'LOVE ME / LOVE ME NOT\,' and
  'GET OUT OF TOWN!' are very direct and very angry\, which is why they're 
 capitalized. They're grounded in the way I personally feel."\n\nOther trac
 ks dig into her longtime roots as a storyteller. With "Margie\," Amelia fl
 ips tradition on its head\, turning an all-too-common country storyline in
 to something novel. "It's the very simple trope of a man who's head over h
 eels for a wild woman\, but approached from a queer perspective\," she exp
 lains. "Lady Los Angeles" is a personified tale of infidelity and seductio
 n\, inspired by those who choose fame and attention over meaningful connec
 tions. "False Prophet" even gets Biblical\, with religious imagery weaving
  its way through a song about fame\, power\, grief\, acceptance\, and — 
 ultimately — a new path forward.\n\nThat path has led to a place of self
 -actualization and purposeful\, proud musical identity. Amelia has never s
 ounded more like herself\, and she's never exhibited the full range of her
  abilities this clearly before. EGO TRIP — whose name references not onl
 y the fateful road trip that ended in heartbreak\, but also her ex's self-
 image and her own reflections on fame and celebrity worship — reintroduc
 es its creator as a sharp-eyed songwriter\, singer\, co-producer\, and mul
 ti-instrumentalist. She's breathing new life into the classic sounds that 
 first inspired her to pick up an instrument at 5 years old\, bringing the 
 gap between past and present. For Amelia Day\, the trip continues.\n\nBole
 tos: https://dice.fm/event/eox5qy-amelia-day-8th-oct-eddies-attic-decatur-
 tickets
URL;VALUE=URI:https://360exp.net/events/b1107ff0-6c42-4294-9c8b-7a78808cba8
 7
STATUS:CONFIRMED
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