BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//360exp//Events//ES
METHOD:PUBLISH
BEGIN:VTIMEZONE
TZID:Europe/London
TZURL:http://tzurl.org/zoneinfo-outlook/Europe/London
X-LIC-LOCATION:Europe/London
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:19700329T010000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:19701025T020000
RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU
END:STANDARD
END:VTIMEZONE
TIMEZONE-ID:Europe/London
X-WR-TIMEZONE:Europe/London
BEGIN:VEVENT
UID:b600bab9-361f-4182-98ee-14b784b26d36@360exp.net
SEQUENCE:0
DTSTAMP:20260907T074605
DTSTART;TZID=Europe/London:20261003T100000
DTEND;TZID=Europe/London:20261003T113000
SUMMARY:The Third Country
LOCATION:VFDalston
DESCRIPTION:Pacific Theatre writing in the UK 2012 - 2024PLAY READINGS +Th
 e Collected Works of Sani Muliaumaseali'iThe Third CountryAmira\, a young 
 refugee from Afghanistan\, is being held in an Australian offshore detenti
 on centre in the Pacific. Alone and afraid\, she retreats into a dream wor
 ld of her own making—but dreams cannot keep her safe forever. Someone is
  watching.On the Australian mainland\, Dolores is struggling under an oppr
 essive heat. Desperate for escape\, she makes a choice that sends unexpect
 ed consequences rippling across lives\, borders\, and time itself.Blending
  realism with imagination\, The Third Country is a compelling exploration 
 of displacement\, responsibility\, and human connection. This thought-prov
 oking work shines a light on Australia's policy of detaining children in o
 ffshore detention and asks what it truly means to care for one another.The
  Third Country was written specifically for the 2016 Writers' Group at the
  Royal Court Theatre\, where it was developed as part of the programme.Con
 tent Warning: Contains strong language\, sexual references\, and depiction
 s of abuse.Play Reading +A script-in-hand performance that foregrounds the
  power of the spoken word\, with minimal staging and an emphasis on storyt
 elling.Featuring: Music • Movement • Momentos Moana a Kiwa Play Readin
 g + Performers read a script aloud\, usually without sets\, props\, or cos
 tumes\, emphasizing vocal delivery over staging.+ Music + Movement + Momen
 tos Moana a KiwaABOUT THE WRITERLayered artist\, operatic tenor\, and Paci
 fic cultural architect Sani Muliaumasealii turned to writing after persona
 l upheaval. The only Samoan writer creating specifically for the UK stage\
 , he is a singular voice and true game changer. Co-founder of GAFA Arts Co
 llective\, he fuses language\, ritual\, and music\, reshaping British thea
 tre through Pacific perspectives.The works gathered here reflect this\, al
 ongside politics\, history\, and creative passions. All are envisioned for
  full staging in London in 2027\, celebrating Sani’s 60th year. A pionee
 r in his field\, he continues to shape and expand the presence of Samoan a
 nd Pacific voices on the UK stage. Sani holds the chiefly (Matai) title of
  Siliga from Vaitele\, Samoa.\n\nBoletos: https://www.outsavvy.com/event/3
 6760/the-third-country
URL;VALUE=URI:https://360exp.net/events/b600bab9-361f-4182-98ee-14b784b26d
 36
END:VEVENT
END:VCALENDAR