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UID:cc0e61a4-0fa4-4598-9efa-cb80aabe6150@360exp.net
SEQUENCE:29842531
DTSTAMP:20260928T052553Z
LAST-MODIFIED:20260927T233147Z
DTSTART:20261105T190000Z
DTEND:20261105T223000Z
SUMMARY:Cootie Catcher + Special Guests
LOCATION:Quarry
DESCRIPTION:in the room x Quarry Presents Torontos own Cootie catcher // 20
 % off for members ON SALE 25TH APRIL There’s an alternate reality where 
 everyone makes a living wage and the cleanest buses you’ve ever seen arr
 ive every other minute. Where the most intense songs are about confessing 
 your love to a crush at the apple orchard\, and where gentle feelings and 
 chaotic energy are inseparable best friends. This is the timeline where co
 otie catcher is right at home. This Toronto based four-piece exudes both v
 ulnerability and unbridled excitement\, creating a sound that hypercharges
  the open-hearted tenderness of twee pop with spiraling synths and giddy e
 lectronics. Their new album Something We All Got is the clearest and most 
 vibrant reading of cootie catcher’s vision yet\, with songs of sweetness
 \, nervousness\, and expectancy that beam out unguarded. After releasing m
 usic made primarily in basements\, Something We All Got is the band’s fi
 rst flirtation with studio recording. The edges are still sharp\, however
 \, with some parts assembled from time-honored lo-fi methods and fun\, per
 sonally-sourced samples seeping into the production. The sound is explosiv
 e and upbeat\, with euphoric guitars\, bubbly synth lines\, speedy live an
 d programmed drums\, and all other manner of sound constantly colliding. c
 ootie catcher has three songwriters–Sophia Chavez (vocals\, synths)\, An
 ita Fowl (vocals\, bass)\, and Nolan Jakupovski (vocals\, guitar)–all of
  whom have distinctive voices but manage to overlap in their writing on sh
 ared concerns like navigating the lines of romantic and platonic relations
 hips\, their city’s social scenes\, and struggles in both the microcosmi
 c experience of playing in a band and the zoomed-out challenges of living 
 through late-stage capitalism. Joy still touches every surface of Somethin
 g We All Got. “Quarter Note Rock” bounces around the room in a fit of 
 jangling guitar chords\, scratched samples\, and interplay between breakbe
 at loops and somersaulting live drums. It’s a blast of positivity despit
 e lyrics about how disappointing it can be to meet your heroes. A smiling 
 electro pop instrumental supports having to step painfully away from an al
 most realized love on “Gingham Dress\,” a song that subverts themes of
  domesticity as a backdrop for the dashed wilt of hopeless devotion. The 
 ‘non-confrontational anthem’ “Puzzle Pop” cascades and soars throu
 gh an examination of needing to ask more from others before concluding in 
 a swirl of samples. cootie catcher rolls down hills and jumps through flam
 ing hoops throughout Something We All Got without ever muting the visceral
  emotions that drive these songs. There’s a palpable tension between the
  band’s exhilarating sonics and the raw\, often uneasy sentiments expres
 sed\, but it’s an integral part of what makes them unique. Rather than h
 ide\, cootie catcher is instead fearlessly direct\, running full-speed tow
 ard every confusion and excitement\, and embracing the reality they’re i
 n.\n\nBoletos: https://www.fatsoma.com/e/43lqvaqi/cootie-catcher-special-g
 uests
URL;VALUE=URI:https://360exp.net/events/cc0e61a4-0fa4-4598-9efa-cb80aabe615
 0
STATUS:CONFIRMED
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