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METHOD:PUBLISH
X-WR-CALNAME:360exp
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-PUBLISHED-TTL:PT1H
X-WR-TIMEZONE:America/New_York
BEGIN:VEVENT
UID:cc226fcc-76d3-423d-acbe-007b7b2f9fab@360exp.net
SEQUENCE:29842587
DTSTAMP:20260928T013407Z
LAST-MODIFIED:20260928T002740Z
DTSTART:20261115T230000Z
DTEND:20261116T030000Z
SUMMARY:DURATIONS: Kara-Lis Coverdale\, Molina\, Pavel Milyakov
LOCATION:public records
DESCRIPTION:Kara-Lis Coverdale composes and performs musical works across a
 coustic and electronic mediums to create works that transcend reality. Dri
 ven by a devotion to sonic afterlife\, memory\, and material curiosity\, C
 overdale’s work occupies new planes built upon a borderless understandin
 g of electronic music\, rooted in the interlocking pathways of musical sys
 tems and languages. Steadfastly committed to developing and expanding her 
 vivid understanding of music as an immersive\, tunable\, and listening wor
 ld rich in emotion and sensitivity\, Pipe organ is a connective tissue thr
 oughout Coverdale’s opus\, underpinning her spectral  understanding of s
 ound and harmony. After a hiatus from the instrument for strict focus on e
 lectronic touring 2016-2018\, she began to explore solo pipe organ perform
 ance internationally and has since premiered several new organ works.\nMol
 ina is a Danish-Chilean producer and composer\, her music flows from an in
 terest in combining digital\, sample-based production with organic\, hand-
 played instrumentation.\n\nHaving achieved certain recognition with his da
 ncefloor-oriented project buttechno\, the Berlin-based artist is currently
  focused on sonic experiments and artistic collaborations under his birth 
 name. Pavel uses his work as a means to acknowledge the true historic and 
 cultural context\, delving into sociopsychological issues that haunt the s
 ociety\, and addressing memory — both collective and individual — and 
 its potential to change our visions of the future. For this performance\, 
 he presents THRILL\, the final album in the trilogy he created with Yana P
 avlova\, live for the first time.\n\nDURATIONS Festival is a week-long\, m
 ulti-disciplinary exploration of sound and connection. Now in its fifth it
 eration\, the festival’s programming is its most robust yet\, with seven
  days of music\, talks\, audiovisual work taking place between Public Reco
 rds\, Pioneer Works\, Roulette\, and Whitney Museum of American Art.\n\n-
 \n\nPublic Records aims to provide a safer space. We reject all forms of d
 iscrimination\, including racism\, misogyny\, transphobia\, homophobia\, s
 exism\, and other aggressive behavior. Consent is paramount. Please exist 
 with respect for yourself and those around you. Anyone found in violation 
 of our rules or safer space policy will be removed from the venue.\n\nTo s
 hare feedback about an incident\, please email hello@publicrecords.nyc or 
 alert a member of our team.\n\nTickets may be available at the door based 
 on capacity. A ticket does not guarantee entry\; Public Records reserves t
 he right to deny entry to guests that appear intoxicated or do not meet th
 e dress code. All large bags and coats must be checked. Doors close one ho
 ur before end time.\n\nMinimum age: 21+\n\nBoletos: https://ra.co/events/2
 513950
URL;VALUE=URI:https://360exp.net/events/cc226fcc-76d3-423d-acbe-007b7b2f9fa
 b
STATUS:CONFIRMED
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