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TZID:Australia/Adelaide
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DTSTART:19700405T030000
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UID:d4b6deaa-37ec-4427-83cb-0a460e3a43db@360exp.net
SEQUENCE:0
DTSTAMP:20260910T212044
DTSTART;TZID=Australia/Adelaide:20261021T083000
DTEND;TZID=Australia/Adelaide:20261021T083000
SUMMARY:La Dispute
LOCATION:The Gov - The Venue
DESCRIPTION:Today\, conceptual band La Dispute announce their No One Was D
 riving the Car Australian headline tour\, which will be hitting our shores
  October 2026. La Dispute will be promoting their latest album No One Was 
 Driving The Car\, released in September of 2025 via Epitaph Records . Aust
 ralian headline tour\, which will be hitting our shores October 2026. La D
 ispute will be promoting their latest album No One Was Driving The Car \, 
 released in September of 2025 via Epitaph Records . This show is all ages 
 / licensed all ages\, harping back to the roots of La Dispute\, as vocalis
 t Jordan Dreyer explains\; "All of us were underage when we first started 
 going to local shows at home in West Michigan\, and still when attending t
 hem pushed us to start writing music together and playing our own. Without
  venues that were accessible to us\, both as attendees and performers\, th
 e entire endeavour might’ve died on the vine\, and we’d have lost out 
 not only on an important creative outlet as young people\, but a welcoming
  community too. Understanding that possibility\, it’s been a priority al
 ways to keep our doors open to all comers where possible\, so that anyone
 —including (or especially\, really) younger people— have the same oppo
 rtunities afforded to us at a crucial age." It’s been six years since La
  Dispute released their last album\, Panorama. Since then\, the Michigan p
 ost-hardcore band—made up of Jordan Dreyer on vocals\, Brad Vander Lugt 
 on drums\, Chad Morgan-Sterenberg and Corey Stroffolino on guitar\, and Ad
 am Vass on bass—dealt with the stagnance of the pandemic\, celebrated th
 e ten-year anniversaries of Wildlife and Rooms Of The House \, and began w
 orking on No One Was Driving The Car. The fifth studio LP is the first ent
 irely produced by the group\, and it came together in Grand Rapids and Det
 roit\, the United Kingdom\, Australia\, and the Philippines: “I think th
 e change in environment was really helpful to breathing new life into the 
 process each time we came back to it\,” Dreyer says. Self produced and h
 eavily inspired by the 2017 psychological thriller First Reformed\, No One
  Was Driving The Car grapples with malaise in the shadow of the looming ap
 ocalypse\, which has noticeably been worsened by the advancement of tech. 
 The title comes from a quote from a police officer vocalist Jordan Dreyer 
 read in a news article about a lethal selfdriving Tesla crash\, an absurd 
 event which raises questions about the amount of control we have in our ow
 n lives. Dryer expands “it felt apt as metaphor then (increasingly so si
 nce)\, not just for contemporary life generally\, but for so many response
 s to it: how each of us thrust unwillingly and chaotically alive\, to hurt
 le down some road toward death\, look amidst uncertainty for faith someone
  or something outside ourselves helps steer the way.” Throughout the alb
 um\, screens and cameras disrupt moments of transcendence. It happens alon
 gside flashes of mundane suffering—frequent daydreams of drowning\, flas
 hbacks to eye-contact with dead animals\, experiences of decaying relation
 ships and secondhand suicides—while Dreyer yells with a more primal sens
 e and sings in a more refined way\, and the guitars have a sharper edge th
 an ever before. Listen to No None Was Driving The Car. Fashioning music th
 at is free and independent of hierarchy\, Special Features from Meanjin/Br
 isbane operates without a single focal point\, rotating lead vocal duties 
 and embracing an unapologetic barrage of noise. Their live performance is 
 more a raucous group therapy session with heads pressed against amps\, swe
 at on the walls\, and voices forging release. Having quickly earned attent
 ion across Australia\, sharing stages with acts like Bad Dreems and DZ Dea
 thrays\, Special Features are building a reputation for shows that feel as
  liberating as they are explosive. Their debut album is set for release in
  2026.\n\nBoletos: https://tickets.oztix.com.au/outlet/event/810fbf50-f48b
 -428c-bea8-caf3da9f5b81
URL;VALUE=URI:https://360exp.net/events/d4b6deaa-37ec-4427-83cb-0a460e3a43
 db
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