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CALSCALE:GREGORIAN
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BEGIN:VEVENT
UID:f15b2d78-112f-4691-b2f3-3b0a3c938d9e@360exp.net
SEQUENCE:29842584
DTSTAMP:20260928T013803Z
LAST-MODIFIED:20260928T002455Z
DTSTART:20261031T050000Z
DTEND:20261031T090000Z
SUMMARY:Routine: TR/ST (DJ Set) x Marie Davidson (DJ Set)
LOCATION:Substation
DESCRIPTION:Routine + Substation present:\nTR/ST - TR/ST (fka Trust) is the
  musical alias of producer\, singer\, and performer Robert Alfons. Born in
  Winnipeg\, Canada but based in Los Angeles for the past decade\, he has r
 eleased a string of celebrated albums fusing swooning synth-pop\, confessi
 onal darkwave\, and anthemic emotion: TRST (2012)\, Joyland (2014)\, The D
 estroyer – Part One (2019)\, and The Destroyer – Part Two (2019).\nMar
 ie Davidson - Marie Davidson has always gone against the grain. The French
 -Canadian producer’s first four albums established her as a transgressiv
 e force in dance music\, with her 2014 debut Perte d'identité (Loss of id
 entity) laying the foundations of organic electronics and introspective st
 orytelling that she would continue to build upon. Each release probed her 
 “dualistic” relationship to nightlife while becoming increasingly satu
 rated in its abundance of sounds\, from Detroit techno to Italo disco\, fi
 nally reaching a fever pitch on 2018’s Polaris Music Prize-nominated Wor
 king Class Woman. Putting the pitfalls of club culture and her own fractur
 ed identity under a withering satirical lens\, Working Class Woman doesn
 ’t wrestle with the existential as much as fling it around the dancefloo
 r.\nAfter that\, 2020’s Renegade Breakdown broke the mould entirely. Wit
 h “a will to explore other styles of music\,” Davidson formed a band w
 ith her husband and longtime collaborator Pierre Guerineau (also her count
 erpart in the duo Essaie Pas) and producer Asaël Robitaille. A deeply col
 laborative project\, the trio wrote a slate of experimental pop songs insp
 ired by records they would play at living-room afterparties – jazz class
 ics\, French chanson\, electronica – on which Davidson sang for the firs
 t time.\nFour years and a pandemic later\, Davidson’s sixth studio album
 \, City of Clowns\, marks a return to the club – but not as you know it.
  The techno thump and scathing spoken-word delivery of Working Class Woman
  resurface at points\, but the pop structures and melodic sensibilities of
  Renegade Breakdown also remain. It’s a “strange” sonic blend even b
 y Davidson’s own standards. “It’s definitely linking back to what I 
 was doing pre-pandemic\, but with a bit of an evolution\,” she says. “
 I didn't want to just repeat myself.” The sound and the spirit of the al
 bum are shaped\, too\, by the fact that Davidson has a new antagonist. Thi
 s time it’s not club culture that’s coming for her sense of self\, it
 ’s Big Tech.\nwith support from\nDark Chisme\nMØAA\nMusic @ 9:00pm.\n21
 + only.\n\nMinimum age: 21+\n\nBoletos: https://ra.co/events/2518065
URL;VALUE=URI:https://360exp.net/events/f15b2d78-112f-4691-b2f3-3b0a3c938d9
 e
STATUS:CONFIRMED
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