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DTSTART:19700329T010000
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UID:fa564af5-7fe7-48ee-9f0b-233e50d1a3ef@360exp.net
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DTSTAMP:20260815T131643
DTSTART;TZID=Europe/London:20261004T150000
DTEND;TZID=Europe/London:20261004T150000
SUMMARY:Hannah Scott
LOCATION:Great Easton Secret Location
DESCRIPTION:House Concert - The best stories make us feel deeply and in th
 e 15 years she has been writing and performing\, Hannah has become an exce
 ptional storyteller. Her music is shaped by human connections\, with famil
 y\, in all its chaos and glory\, sitting at the heart of her work. Her lyr
 ics are powerful and poignant\, and her voice feels strangely familiar\, t
 hough you can’t quite put your finger on why. Her writing may be deeply 
 personal but her music has a universal appeal that goes beyond the melodie
 s you catch yourself humming in the days after listening to her songs. Bor
 n in Suffolk and raised by an artist mother and an eccentric entertainer f
 ather\, with music going back three generations to her songwriting great-g
 randmother\, creativity was always destined to be an integral part of Hann
 ah’s life. At the age of four\, her father bought a second hand piano fo
 r £70 from a friend in the pub and she didn’t look back\, falling in lo
 ve with both playing and listening to classical music. Picking up a guitar
  in her early teens as the influence of her peers and more contemporary mu
 sic took hold\, Hannah taught herself some simple chords that would lay th
 e foundation for her earliest attempts at songwriting.Career highlights in
 clude having her song No Gravity featured on the hit international TV seri
 es Grey’s Anatomy\, recording a live session on BBC Radio 2 with Dermot 
 O’Leary and opening for Madeleine Peyroux\, performing to an audience of
  two thousand. She has also shared the stage with folk luminaries such as 
 Seth Lakeman\, Cara Dillon and Fairport Convention and has performed at fe
 stivals including Cambridge\, Sidmouth and Manchester Folk. Equally at hom
 e in small venues\, she thrives on the intimacy of performing in spaces wh
 ere she can look audience members in the eye.“She reduces women and chil
 dren to tears - in a good way…” The Guardian “…and grown men.” T
 om Besford\, English Folk Expo & Richard Haswell\, Liverpool Philharmonic 
 “This is beautiful.” Dermot O’Leary\, BBC Radio 2 “Wonderful songw
 riting.” Seth Lakeman “She screams class but in the quietest way possi
 ble.” Folking.com\n\nBoletos: https://wegottickets.com/event/708227
URL;VALUE=URI:https://360exp.net/events/fa564af5-7fe7-48ee-9f0b-233e50d1a3
 ef
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