BEGIN:VCALENDAR VERSION:2.0 PRODID:-//360exp//Events//ES METHOD:PUBLISH BEGIN:VTIMEZONE TZID:America/Chicago TZURL:http://tzurl.org/zoneinfo-outlook/America/Chicago X-LIC-LOCATION:America/Chicago BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:19700308T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:19701101T020000 RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU END:STANDARD END:VTIMEZONE TIMEZONE-ID:America/Chicago X-WR-TIMEZONE:America/Chicago BEGIN:VEVENT UID:fa6d873f-af20-4eb7-b66e-1159ed7cbbe6@360exp.net SEQUENCE:0 DTSTAMP:20260824T150121 DTSTART;TZID=America/Chicago:20260914T010000 DTEND;TZID=America/Chicago:20260914T010000 SUMMARY:El Ten Eleven with Ishi LOCATION:Gasa Gasa DESCRIPTION:El Ten Elevens Nowhere Faster\, the duos 16th release\, was fo rged within that unease. Across eight tracks\, it considers not just nothi ngness but velocitythe strange urgency that propels us forward even when t he destination remains unclear. We are committed to acceleration\, convinc ed speed itself might save us. The 33-minute album slows just long enough to pose the harder questions: what are we running from\, and what do we th ink we can outrun?That tension appears even in the albums artwork\, once a gain created with longtime collaborator Rob Fleming. It depicts a classic liminal space: familiar\, anonymous\, quietly unsettling. A stained glass- colored building and a streetlamp blur at the edges\, suggesting motion th at feels less like escape than enclosurethe kind that traps rather than tr ansports.Nowhere Faster emerged from Kristian Dunn and Tim Fogartys longes t break from touring and recording in their 23 years together\, though bre ak is something of a misnomer. Dunns famously restless creative pace never slowed. Instead\, he began writing for not one but two drummers\, handing Fogarty one of the most demanding challenges of his career. The record al so marks a first for the band\, weaving real strings and piano throughout\ , deepening the palette of what is already one of their most layered works .The albums titles and sounds draw from moments scattered across the bands 23-year history. Opener Uncanny Valley Girl marks the return of long-reti red effects like the delay pedal\, stacking basslines into a dense\, envel oping wall. Its a clear-eyed take on AI-era paranoia\, anchored by Fogarty s steady rhythmsnare taut\, cymbals gently alivegiving the sci-fi unease s omething solid to lean on. Bjorks Alarm Clock\, meanwhile\, takes its titl e from an insult hurled at the band by a guitarist of a punk band on their first tour\; you can almost hear Dunn and Fogartys quiet laughter beneath the buoyant bass and bow-scratched strings.Still\, Nowhere Faster is not a retreat into nostalgia. El Ten Eleven remains invested in risk and reinv ention. The record continues to center Fogartys propulsive drumming and Du nns bass-driven experimentation: the first four tracks (side A) feature el ectric bass\, while the latter half (side B) shifts to acoustic bass proce ssed through pedals\, subtly altering the albums emotional weight. Last Ni ght In The Kitchen reaches for the slick\, sleazy bombast of classic Bond themes\, opening new corridors for Dunns ever-expanding musical ambitions. Ultimately\, Nowhere Faster is an album about reckoningabout time\, endura nce\, and the uncertainty of how long a band\, or a life\, can last. We ar e all fumbling toward finitude. The question is not whether well arrive\, but what we want to hear on the way there. What will we dance to as the gr ound begins to shift beneath us? If nothing else\, it may sound something like Nowhere Faster.With support from Ishi\, a high energy electronic band from Dallas\, Tx with influences of Soul\, Folk\, R&B\, & Edm.\n\nBoletos : https://www.ticketweb.com/event/el-ten-eleven-with-ishi-gasa-gasa-ticket s/14954603 URL;VALUE=URI:https://360exp.net/events/fa6d873f-af20-4eb7-b66e-1159ed7cbb e6 END:VEVENT END:VCALENDAR